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How to choose a Video monitor the best meet my needs
The choice of the monitor depends on whether it is on the field for the cameras Crew or for the director, or for the studio
How to Select a monitor that best meets my requirement
Factors to be considered
1. Size
2 Portability
3. Power option
4. Colour reproduction
5. Budget
Here are some guidelines for selecting a monitor for each scenario:
Film and video production in the field:
Size: For on-camera use, a smaller monitor is ideal. Film crew members typically prefer monitors between 5 inches to 7 inches in size. This allows them to monitor what the camera is capturing without being too bulky or heavy, this is especially so when mobility is the prime concern
Portability:
Portability is key for fieldwork. Look for a monitor that is lightweight, compact, and can be easily transported. Some monitors come with protective cases or covers that can further enhance portability.
Power options:
In the field, access to power sources may be limited. Look for a monitor that can be powered by batteries ( eg V mount battery ) or other portable power options ( eg Power bank )
Color reproduction:
A monitor with accurate color reproduction is essential for video production. Look for a monitor with a wide color gamut and color calibration tools.
Budget:
Field monitors can range in price from a few hundred to a few thousand dollars. It's important to choose a monitor that meets your needs without breaking the bank.
Studio editing:
Size: For studio editing, a larger monitor is ideal, as it allows for more detailed work. A 17-inch to 32-inch monitor would be a good option.
Portability:
Portability is less important in a studio setting, so a larger and heavier monitor may be appropriate.
Power options:
In a studio setting, a monitor that can be powered by a standard outlet is typically sufficient.
Color reproduction:
Accurate color reproduction is crucial for studio editing. Look for a monitor with a wide color gamut, high resolution, and color calibration tools.
Budget:
Studio monitors tend to be more expensive than field monitors, but it's important to invest in a high-quality monitor for accurate color grading and editing.
Film crew or director, for on-camera monitors:
Size: As mentioned, film crew members typically prefer monitors between 5 inches to 7 inches in size for on-camera use. Directors may prefer larger monitors for monitoring multiple cameras or for easier viewing.
Portability:
Portability is important for on-camera monitors as well. Look for a monitor that is lightweight and compact, and can be easily attached to the camera or tripod.
Power options:
On-camera monitors should be able to run on batteries or other portable power options. Look for a monitor with long battery life or the option to swap out batteries.
Color reproduction:
Accurate color reproduction is important for on-camera monitors as well. Look for a monitor with a wide color gamut and color calibration tools.
Budget:
On-camera monitors can range in price from a few hundred to a few thousand dollars. It's important to choose a monitor that meets your needs without breaking the bank.
Here is the current model that is available in the market.
