Atomos Ninja Inferno 7-inch 4K HDMI Recording Monitor (Travel Case)

USD 961.00USD 995.00

In stock

  • Add recording and monitoring to any HDMI device
  • Monitor login HDR on 7-inch 10-bit calibrated screen
  • Record 4Kp60 to ProRes/DNxHR
  • Rugged Design
  • High Bright for REC709 outdoor shooting
  • Playback review with clients and crew
  • XLR Audio with phantom power
  • 4Kp60 4:2:2 10-bit from GH5

Atomos have a variety of HDR High Brightness Monitor Recorders including the Atomos Sumo 19, the Atomos Shogun Inferno and Atomos Ninja Inferno video recording devices. These devices do more than recording as they are viable HDR production monitors and video switchers as well. You can capture video recorded on any camera and modify the original source video any way you like.

Atomos Ninja Inferno 7-inch 4K HDMI Recording Monitor

The Atomos Ninja Inferno is specifically designed to overcome the shortcoming of 4Kp60 10-bit professional cameras. This it does by inducing the camera sensor to maximize dynamic range, color resolution and accuracy. Ninja Inferno is still a HDR recorder that is capable of 4:2:2 10-bit recording in Apple ProRes, Log and Avid DNxHR. ProRes and DNxHR are inbuilt recording modes that produce high-resolution recordings ready for editing.

Atomos Ninja Inferno 7” 1900 x 1200 resolution and 1500 nit brightness display device work as a HDR grading monitor since it can receive a HLG or PQ signal from a computer. Hardware is up to standards with HDMI output, 8 channels support, a 48V XLR cable, and a dual battery system with DC power support.

AtomHDR engine is used to produce the best color and brightness combination for photos and video. Compatible with Panasonic, Sony, Nikon and Canon cameras, the Atomos Ninja Inferno supports auto HDMI start for these models. The XLR microphones are important because they can be used to boost the audio recording range of DSLR cameras. Editing audio is a breeze because all you have to do to pick the channel for monitoring and use the meters and adjusters to control gain and frame control.

Without batteries & media 630g / 22.2oz
With batteries & media 1074g / 37.9oz
Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8”
Construction High quality lightweight ABS Polycarbonate for durability & portability
  Built-in armor protection
Operating power 10 – 33W
Compatible batteries NP-F series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 7.4V)
  5200mAh – up to 1.5hrs (monitor & record 4K 30p)
  7800mAh – up to 2.2hrs (monitor & record 4K 30p)
DC In 1 x DC in (6.2 – 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system. 
Change batteries without losing power 
Loop batteries continuously
Size 7.1”
Resolution 1920 x 1200
PPI 325
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch), 
calibration to Rec.709 with optional calibration unit
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8 2 FRC)
Brightness 1500nit ( /- 10%)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (2.0)
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (2.0)
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
Onboard Processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 
60i > 24p (3:2 pulldown)
4K UHD downscaling Yes – Loop-out and playback
Audio In/Out (48kHz PCM Audio)
HDMI 2 or 8ch 24-bit, camera dependent
Audio 2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level 24dBu
Max analog gain 52dB
48V Phantom Power for Mic
Remote Start/Stop
HDMI Auto HDMI Trigger
Supported Protocols – Canon, Sony, Atomos Open Standard
Other LANC control – Slave
Playlist / Genlock / LTC Yes / No / No
CDNG (Recorded content) N/A
ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit for list of tested and approved drives
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7 / Media Composer
5.0 / Premiere 5.5
EDIUS 6.0 / Vegas Pro 10 / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Accessories included Ninja Inferno unit, Master Caddy II x 1, 
12V-3A AC power supply
Optional extras Accessory Kit: 2 x battery, 1 x charger,
1 x power supply, HPRC case, USB dock, control cable, 
Dtap cable, Master Caddy x 4, Power supply, Sun hood 

Power Kit: 2 x battery, 1 x charger,
1 x power supply

Other: Atomos HDMI cable, 
X-Rite i1DisplayPro calibration

  • Ninja Inferno unit
  • 1x Master Caddy II
  • 1x 12V-3A AC Power supply

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Additional information

Weight 5 kg
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