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Atomos Sumo 19″ Quad SDI & HDMI 2.0 IN/OUT Monitor-Recorder

SGD 3,359.16SGD 3,480.53

In stock

  • Built for Production
  • Rugged construction. Flexible mounting
  • Quad SDI & HDMI 2.0 IN/OUT
  • Live Switch and Record up to four 1080/60p channels
  • Balanced XLR Monitor & Record with 48V Phantom
  • High Bright For REC709 Outdoor Shooting
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SKU: ATOMSUMO19 Category:

Atomos Sumo 19 Quad SDI & HDMI 2.0 IN/OUT Monitor-Recorder

The Atomos Sumo 19 is designed to get the most out of video recordings by allowing the user to switch to the best resolution for viewing. It has multiple applications including field use or viewing on a HDR monitor. The Sumo 19 gets its name from the 19” inch LCD display panel with 1920 x 1080 screen resolution. It has the capability to handle output in RAW, PQ, Log or HLG formats and convert them to show more than 10 dynamic range stops in real time.

This is facilitated by the four 1080p channel live switching feature. ProRes RAW is a major feature that maximizes the potential of a RAW camera by preserving pixels at speeds of 5.7 kp30, 2kp240 DCI/HD and 4kp120 DCI/UHD. A 10-bit processor allows 10 bit 4:2:2 recording for either DNxHR codecs or ProRes at a data rate of 1.8 Gbs and 220MB/s.

Video switching is very simple as you can efficiently switch on-screen using effects such as cross fade, cues and hard cuts. The touch screen further simplifies the switching process. Atomos also recognize the value of inputs and outputs which is evident with the dual XLR inputs that are stereo balanced. Frame delay is another feature that is regularly used to synchronize microphone and line-level audio with embedded SDI and HDMI audio sources.

The output, on the other hand, includes quad SDI and HDMI sockets for compatible devices allowing you to convert related formats. The Atomos Sumo 19 stereo microphones are powered with a 48V Phantom power unit which can easily handle field recording.

Atomos have a variety of HDR High Brightness Monitor Recorders including the Atomos Sumo 19, Atomos Shogun Inferno and Atomos Ninja Inferno video recording devices. These devices do more than recording as they are viable HDR production monitors and video switchers as well. You can capture video recorded on any camera and modify the original source video any way you like.

Weight
Without batteries, media & stand5.6kg / 12.3lb
With stand6.2kg / 13.7lb
Dimensions (W x H x D mm)504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 
504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)
ConstructionAluminium alloy chassis with built in armor protection
Mounting Points1/4-20 screw; 4 x top, 4 x bottom, 2 x side 
3/8-16 screw; 2 x top, 2 x bottom, 1 x side 
VESA mount rear
Power
Operating power75W
Compatible batteriesV-Lock / Anton Bauer via XLR terminal 
(optional mounting plates available)
Input voltage (battery)14.4V nominal
Battery time (based on 7.4V)Depends on Watt Hours specification of battery used
DC In1 x DC in (12 – 16.8V)
Continuous power
* Patent pending
Primary-secondary battery system. 
Change batteries without losing power 
Loop batteries continuously
Touchscreen
Size19”
Resolution1920 x 1200
PPI120
Aspect ratio16:9 native
Color GamutREC709 HDTV
Look up table (LUT) support3D LUT (.cube format)
Anamorphic de-squeeze2x, 1.5x, 1.33x, Panasonic 8:3
TechnologySuperAtom IPS panel (capacitive touch), 
calibration to Rec.709 with optional calibration unit
HDR
AtomHDRYes
Supported Log formatsSony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported GamutsSony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth10-bit (8 2 FRC)
Brightness1200nit ( /- 10%)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes
Video Input/Loop Out
HDMI1 x HDMI (2.0)
SDIQuad link 4 x 3G SDI* or up to 12G single link SDI
SignalUncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI1 x HDMI (2.0)
SDI1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
SignalUncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
SDI to SDI720p 50/60, 1080i 50/60 
1080pSF 24/25/30 
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
Video Signal Conversion
HDMI to SDI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Supported Codecs & Frame Rates (Record & Playback)
Raw RecordSony FS5/FS7^^/FS700 CDNG
4K DCI; 24/25/30p 
4K UHD; 
2K; 24/25/30/50/60/100/120p 
1080; 

Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080;

Panasonic VaricamLT / Varicam35* CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080; 

Arri Alexa Mini .ARI*
2880×1620; 24/25/30/50/60p 
2880×2160; 24/25/30/50/60p 
 

Raw to ProRes / DNxHRSony FS5/FS7/FS700 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30/50/60p 
4K UHD; 
2K; 24/25/30/50/60/100/120/200/240p 
1080; 

Canon C300MKII/C500 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080; 

Panasonic VaricamLT / Varicam35* 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30/50*/60p* 
4K UHD; 24/25/30/50*/60p* 
2K; not supported in camera 
1080; not supported in camera
 

Video to ProRes / DNxHR 
(DNx utilizes a .MOV wrapper)
Codecs 
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates 
4K DCI; 24/25/30/50/60p 
4K UHD; 24/25/30/50/60p 
2K; N/A 
1080p; 24/25/30/50/60/100^/120^/200/240p 
1080i; 50/60i 
720p; 50/60p

Onboard Processing
Pulldown removal24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoringYes – Loop-out and playback (Not available in RAW)
Audio In/Out (48kHz PCM Audio)
HDMI2 or 8ch 24-bit, camera dependent
SDI12ch 48kHz 24-bit
Audio2ch balanced XLR analog in/out (direct XLR connection)
Dynamic range >90dB
Max signal level 24dBu
Max analog gain 52dB
48V Phantom Power for Mic
Headphone Out3.5mm
Built-in SpeakersYes
Remote Start/Stop
HDMIAuto HDMI Trigger
Supported Protocols – Canon, Sony, Atomos Open Standard
SDISDI trigger camera selectable
OtherLANC control – Slave
Playback
Playlist / Genlock / LTCYes / Yes / Yes
CDNG (Recorded content)No support
ProRes (Recorded content)All recorded files can playback. Playback in slow motion >= 100fps
DNxHR / DNxHD (recorded content)All recorded files can playback. Playback in slow motion >= 100fps
Recording
Pre-roll recordYes (HD 8s, 4K 2s)
Custom timelapseYes
Meta data taggingYes (10 tags available)
Supported media2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy caseMaster Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock2.5” SATA to USB 2.0/3.0
Supported applicationsSupported Applications FCPX/FCP7 / Media Composer
5.0 / Premiere 5.5
EDIUS 6.0 / Vegas Pro 10 / Lightworks /
Autodesk Smoke 2015
XML supportFCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Accessories includedSumo unit, Master Caddy II x 1, AC power supply
Optional extrasSunhood, VESA battery adapter plate, Atomos HDMI 
cable, X-Rite i1DisplayPro calibration
Warranty1 year. Extended to 3 years on product registration
  • Sumo unit
  • Master Caddy II x 1
  • AC power supply

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Average Rating

5.00

Rated 5.00 out of 5 based on 2 customer ratings
02
(2 Reviews)
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2 Reviews For This Product

  1. Rated 5 out of 5
    02

    by Admin

    The first shipment for Atomos Sumo is scheduled to arrive here in Singapore during Beg Jul 2017.

  2. Rated 5 out of 5
    02

    by Adrain

    I have a chance to look at and manner around with this toy at Atomos seminar recently. The first impression was, this monitor/recorder is apparently the blown out of Inferno but with more stuff in it .However my attention was just to focus on it monitor capabilities , though it offers you a 4 x HD stream 1 x 4k Quad link recording and a 4 channel switcher.

    To convince me whether it was a good buy, it is simple, is it worth to buy this 19 inch Monitor with HDR at USD 2495?
    I have look around too whether I could get the similar monitor at the price range less than USD 3000. The answer is Nope. The Sony HD monitor LMD-A170 is currently selling at USD 2599 but it does not have HDR feature. So What I conclusion have I drawn?… It is good value for money to get Sumo as monitor for sure. With optional purchase you can gear it up with sun hood and 2 x battery operated monitor and Atomos is currently designing a rack mount kit for it.

    I am considering to use is at grading and editing monitor, although not the best , at this price point nothing to complaint.
    The sumo is constructed with tough Aluminum alloy chassis with built-in armor houses with 10 mounting points
    metal material around it with weight for just less than 6kg. It is scheduled to have its first Shipment out from factory by End of Jun 2017. The Screen interface work the same way as its Inferno recorder.

    Now I would like to look at the bonus features , 4 stream HD recording ( or 1 x 4K ) and switcher function . it seems that 4 x HD recorder perform like Convergent designed – Apollo , however the switching function and limited switching effect may render it less than a perfect switcher and it records 4 channel instead of 5 ,unlike Apollo ( 5 recording stream including program out) . So like I have suggested, just get it as a 19 inch HDR monitor, the deal is now becoming sweeter by having a 3 years warranty if you registered your purchase online with Atomos.

    Accordingly the first shipment is going to take place by End of Jun 2017.

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