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Blackmagic URSA Broadcast G2
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Home » Shop » Professional Video » Professional Camcorders » Accessories » Blackmagic URSA Broadcast G2 Camera – World’s most flexible Broadcast camera
Blackmagic Studio Camera 4K Plus
Blackmagic 4K Studio Camera Plus High Quality Broadcast Camera USD 1,333.00 excl. Tax
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Teradek Spark 4K TX/RX Set (Transmitter, Receiver)
Teradek Spark 4K TX/RX Set (Transmitter, Receiver)

Blackmagic URSA Broadcast G2 Camera – World’s most flexible Broadcast camera

USD 4,146.00 excl. Tax

Weight 6 kg
Blackmagic Design
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SKU: CINEURSAMWC6KG2 Category: Accessories
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Blackmagic URSA Broadcast Camera G2 designed for Studio and Live Production

Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allow it to work as a 4K production camera, a 4K studio camera, or a 6K digital film camera. It’s a perfect solution for broadcasters because it uses the lenses and batteries you already own. You can record to common SD cards, UHS-II cards, CFast 2.0 cards, or external USB disks, using common file formats such as H.265, ProRes, and Blackmagic RAW. This means it’s compatible with all video software and broadcast media management systems. You can even change the lens mount. No other broadcast camera is so flexible.Blackmagic URSA Broadcast G2

Get Digital Film Quality for Broadcast

The large 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in the broadcast. The 6K sensor features a resolution of 6144 x 3456 so it’s flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for the digital film. With 13 stops of dynamic range, you get darker blacks and brighter whites, so it’s perfect for color correction. Using digital film in broadcast is a revolution in image quality.

Exceptional Low Light Performance

The new URSA Broadcast features incredible low-light performance so you can shoot using ambient light or even under moonlight. In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. The Blackmagic URSA Broadcast Camera G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it’s optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu, or remotely using the SDI remote camera control protocol.

Compatible with B4 Broadcast Lenses

The new URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor. The B4 lens mount lets you use modern Ultra HD lenses or lower-cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at a low cost. B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don’t need to constantly chase focus as you shoot. That lets you work much faster. You also get full electronic lens control to adjust focus, iris, and zoom using the camera’s controls, or remotely. Plus if you want to use alternative lenses, you can change the mount to PL, EF, and more.

Built-In Optical ND Filters

URSA Broadcast G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The ¼, 1/16th, and 1/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angle, in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus the filter status on the LCD can be displayed as a fraction, number, or stop reduction.

Use Common Media and File Formats

URSA Broadcast is designed to work with standard file formats that are used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.

Dual Media Slots for Non‑Stop Recording

With dual CFast 2.0 recorders and dual SD/UHS-II card recorders, you can choose the media that’s best for you. Both types of media are standard, inexpensive, and readily available at computer and camera stores. Plus with dual media slots, URSA Broadcast gives you the nonstop recording. When a card is full, the recording automatically continues onto the next card so you can swap a full card while the recording continues. You get enough speed to record high-quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files.

USB-C for Recording Direct to External Media Disks

The Blackmagic URSA Broadcast G2 features a high-speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low-cost external USB flash disk, you can record ProRes, H.265, or even high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don’t need to waste time with file copying. Plus the USB port will power the disk that’s plugged in. You can even plug in optional focus and zoom demands to allow full lens control.

Strong and Lightweight Magnesium Design

URSA Broadcast G2 features a super strong, lightweight magnesium alloy body that’s perfectly balanced and designed to be comfortable to use all day. It features familiar externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You also get a foldout touchscreen for monitoring, viewing camera status, and changing settings using on-screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB-C, and an industry-standard 4-pin XLR broadcast 12V DC connection.

Built-in LCD with Touch Controls

With a built-in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on-screen status and touchscreen controls. The built-in touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets. Plus behind the LCD there are extra buttons, as well as knobs for audio levels. There are even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. Plus you can change the function assigned to each button in the on-screen menus.

External Status Display

The status display is a high-visibility LCD screen that’s designed to be easily seen, even in bright light. The status display shows the record timecode, locked timecode, and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, gain, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen’s backlight can be turned on when you are shooting in dimly lit locations, and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.

Standard Television Industry Connections

Blackmagic URSA Broadcast G2 features the latest technology and connections such as 12G-SDI. This includes 12G-SDI connections for both video output and return program feed input. The 12G-SDI connections are multi-rate and switch between all HD and Ultra HD formats up to 2160p60. Other connections include a headphone connection, USB-C, balanced XLR audio with phantom power, and timecode/reference input. There’s also a front-mounted 12-pin Hirose connector for broadcast lens control which can also power the lens. Plus for connecting a viewfinder or on-set monitor there’s even an HD-SDI monitoring output and a broadcast-style 4-pin XLR 12V DC power output.

Supports All Broadcast Frame Rates

Whether you’re shooting a sporting event or a breaking news story, Blackmagic URSA Broadcast G2 can shoot super smooth, crystal-clear slow-motion video. To shoot slow motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into a lower frame rate file, for smooth slow motion shooting. You can set up your preferred high-speed frame rate using the camera’s on-screen menus, then switch between standard sync speed and off-speed frame rates using the HFR button on the side of the camera. That means you can have a higher frame rate setup and ready-to-go, so it’s instantly available when the action gets exciting.

Professional Audio Connections and Built-In Microphones

URSA Broadcast G2 has a high-quality microphone and professional audio recorder built in so you don’t have to carry any extra sound equipment. That means you can use the built-in stereo microphone or you can connect external microphones. The XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip-on mics. You can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a single mono connection if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder mounted.

Work in Both HD or Ultra HD

Blackmagic URSA Broadcast G2 is not just a great Ultra HD camera, but it’s also an amazing HD camera too. The high-resolution sensor and generation 5 color science create amazing images with high dynamic range and wide color fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080HD video standards. This helps you get stories on air fast, in HD or Ultra HD video standards, anywhere in the world. Plus when working in HD, the high-resolution sensor allows sub-pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA Broadcast G2 is a future-proof camera that’s perfect for both HD and Ultra HD production.

Change to PL, EF, and F Lens Mounts

URSA Broadcast G2 features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL, or even F mount. URSA Broadcast G2 comes with a B4 mount already installed, plus a spare EF mount is included. That means if you’re starting out you can change the mount and use low-cost photographic lenses. Photographic lenses are of incredible quality because they’re designed for high-resolution photography. You can also purchase optional PL and F mounts separately. If you’re shooting for digital film, the PL mount is best as it’s the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a single camera that works with virtually all modern lenses.

Compatible with Industry Standard Batteries

All URSA cameras support a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer, and more. A V-Lock battery plate is installed on the camera, or you can change to an optional Blackmagic URSA Gold Battery Plate. All Blackmagic battery plates are designed to mount directly onto the camera. URSA Broadcast G2 includes a 4-pin XLR power connector that supports 12V to 18V for connecting external power supplies and battery packs. The standard power connector also means you can use the camera with your existing power supplies and batteries. For live production, the optional fiber converter can power the camera from up to 2 km away via a single SMPTE fiber cable.

Includes DaVinci Resolve Studio

Get Professional Editing, Color Correction, Audio Post, and VFXURSA Broadcast G2 includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials, and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together, and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post, and visual effects tools, all in a single software application. Now you can use the same high-end software that professional editors and colorists use.

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Specifications
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Camera Features
Effective Sensor Size 2/3 inch sensor size when using 4K B4 mount
Actual sensor size 23.10mm x 12.99mm
Lens Mount B4 2/3 inch installed

Active EF mount also included

Lens Control Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
Lens Correction In-camera correction of colour fringing when using compatible broadcast lenses.
Dynamic Range 13 Stops
Dual Native ISO 0dB and 18dB gain.
Sensitivity at 0dB Gain f11 with 2160p59.94.

f12 with 2160p50.

at 2,000 lux with 89.9% reflectance.

additional 1.1 stop light loss using 4K B4 mount.

Signal to Noise Ratio 64.62dB for 2160p

Ultra HD scaled from 5.3K

Built-in ND Filters Four-position ND filter wheel with clear, 2-stop, 4-stop, and 6-stop ND filters.
Focus Focus button turns on peaking, auto focus available using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris Control Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
Screen Dimensions 4 inch
Screen Type LCD capacitive touchscreen.
Controls Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
ProRes Shooting Resolutions and Frame Rates

3840 x 2160 (Ultra HD) up to 60 fps

from Ultra HD window or scaled from 5.3Kwindowed sensor

3840 x 2160 (Ultra HD) up to 50 fps

scaled from full sensor

1920 x 1080 (HD) up to 120 fps

scaled from 2.7K windowed sensor

1920 x 1080 (HD) up to 60 fps

scaled from Ultra HD or 5.3Kwindowed sensor

1920 x 1080 (HD) up to 50 fps

scaled from full sensor

H.265 Shooting Resolutions and Frame Rates

3840 x 2160 (Ultra HD) up to 60 fps

from Ultra HD window or scaled from 5.3Kwindowed sensor

3840 x 2160 (Ultra HD) up to 50 fps

scaled from full sensor

H.264 Shooting Resolutions and Frame Rates

1920 x 1080 (HD) up to 60 fps

scaled from Ultra HD or 5.3K windowed sensor

1920 x 1080 (HD) up to 50 fps

scaled from full sensor

Blackmagic RAW Shooting Resolutions and Frame Rates 6144 x 3456 (6K) up to 50 fps

6144 x 2560 (6K 2.4:1) up to 60 fps

5376 x 3024 (5.3K 16:9) up to 60 fps

3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps

3840 x 2160 (Ultra HD) up to 60 fps

1920 x 1080 (HD) up to 150 fps

Project Frame Rates 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.

Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.

Metadata Support Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Timecode Clock Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Connections
SDI Video Inputs 1
SDI Video Outputs 1
SDI Monitor Outputs 1
SDI Rates 1.5G, 3G, 6G, 12G.
Analog Audio Inputs 2 x XLR switchable between mic, line, and AES digital audio. Phantom power support.
Analog Audio Outputs 1 x 3.5mm headphone jack, supports iPhone style headset for talkback.
Reference Inputs Tri-Sync/Black Burst/Timecode.
Lens Control 1 x 12-pin Hirose Broadcast Lens Connector
Remote Control 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
Computer Interface 1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates.
Audio
Microphone Integrated stereo microphone.
Built-in Speaker 1 x mono speaker.
Standards
SD Video Standards None
HD Video Standards 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
SDI Audio Sampling 48 kHz and 24 bit
Media
Media 2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Media Format Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
Supported Codecs
Codecs Apple ProRes 422 HQ,
Apple ProRes 422,
H.265 SDI (10-bit 4:2:2),
H.265 High (10-bit 4:2:0),
H.265 Medium (10-bit 4:2:0),
H.265 Low (10-bit 4:2:0),
H.264 SDI (10-bit 4:2:2),
H.264 High (8-bit 4:2:0),
H.264 Medium (8-bit 4:2:0),
H.264 Low (8-bit 4:2:0),
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
Control
External Control Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.
Color Corrector
Color Corrector DaVinci YRGB.
Talkback and Tally
Talkback SDI Channels 15/16 and iPhone headset.
Live Tally Indicator Tally on LCD, URSA Viewfinder, and URSA Studio Viewfinder.
Storage Features
Storage Type 2 x CFast 2.0
2 x SD UHS‑II cards
1 x high-speed USB‑C expansion port for external media.
2.5 inch SSD using optional URSA Mini Recorder
Storage Rates Storage rates are based on 30 frames per second.
6144 x 3456 (6K)
Blackmagic RAW 3:1 – 323 MB/s
Blackmagic RAW 5:1 – 194 MB/s
Blackmagic RAW 8:1 – 121 MB/s
Blackmagic RAW 12:1 – 81 MB/s
Blackmagic RAW Q0 – 242 to 483 MB/s
Blackmagic RAW Q1 – 162 to 387 MB/s
Blackmagic RAW Q3 – 108 to 277 MB/s
Blackmagic RAW Q5 – 65 to 162 MB/s
6144 x 2560 (6K 2.4:1)
Blackmagic RAW 3:1 – 240 MB/s
Blackmagic RAW 5:1 – 144 MB/s
Blackmagic RAW 8:1 – 90 MB/s
Blackmagic RAW 12:1 – 60 MB/s
Blackmagic RAW Q0 – 180 to 359 MB/s
Blackmagic RAW Q1 – 120 to 287 MB/s
Blackmagic RAW Q3 – 80 to 205 MB/s
Blackmagic RAW Q5 – 49 to 120 MB/s
5376 x 3024 (5.3K 16:9)
Blackmagic RAW 3:1 – 248 MB/s
Blackmagic RAW 5:1 – 149 MB/s
Blackmagic RAW 8:1 – 94 MB/s
Blackmagic RAW 12:1 – 63 MB/s
Blackmagic RAW Q0 – 186 to 371 MB/s
Blackmagic RAW Q1 – 125 to 297 MB/s
Blackmagic RAW Q3 – 84 to 213 MB/s
Blackmagic RAW Q5 – 51 to 125 MB/s
3728 x 3104 (3.7K 6:5 anamorphic)
Blackmagic RAW 3:1 – 177 MB/s
Blackmagic RAW 5:1 – 106 MB/s
Blackmagic RAW 8:1 – 67 MB/s
Blackmagic RAW 12:1 – 45 MB/s
Blackmagic RAW Q0 – 133 to 265 MB/s
Blackmagic RAW Q1 – 89 to 212 MB/s
Blackmagic RAW Q3 – 60 to 152 MB/s
Blackmagic RAW Q5 – 36 to 89 MB/s
3840 x 2160 (Ultra HD)
Apple ProRes 422 HQ – 110 MB/s
Apple ProRes 422 – 73.6 MB/s
H.265 SDI – 12.3 MB/s
H.265 High – 10.8 MB/s
H.265 Medium – 7.8 MB/s
H.265 Low – 3.2 MB/s
Blackmagic RAW 3:1 – 127 MB/s
Blackmagic RAW 5:1 – 77 MB/s
Blackmagic RAW 8:1 – 48 MB/s
Blackmagic RAW 12:1 – 32 MB/s
Blackmagic RAW Q0 – 96 to 190 MB/s
Blackmagic RAW Q1 – 64 to 153 MB/s
Blackmagic RAW Q3 – 43 to 109 MB/s
Blackmagic RAW Q5 – 26 to 64 MB/s
1920 x 1080
Apple ProRes 422 HQ – 27.5 MB/s
Apple ProRes 422 – 18.4 MB/s
H.264 SDI – 7.0 MB/s
H.264 High – 5.6 MB/s
H.264 Medium – 3.2 MB/s
H.264 Low – 1.8 MB/s
Blackmagic RAW 3:1 – 19 MB/s
Blackmagic RAW 5:1 – 12 MB/s
Blackmagic RAW 8:1 – 7.8 MB/s
Blackmagic RAW 12:1 – 5.2 MB/s
Blackmagic RAW Q0 – 23 to 47 MB/s
Blackmagic RAW Q1 – 16 to 37 MB/s
Blackmagic RAW Q3 – 10 to 27 MB/s
Blackmagic RAW Q5 – 6 to 16 MB/s
Recording Formats Apple ProRes 3840 x 2160 and 1920 x 1080 with film,
video or extended video dynamic range or custom 3D LUT.H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.

H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.

Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in the metadata.

Software
Software Included Blackmagic OS

DaVinci Resolve Studio for Mac and Windows including activation key

Blackmagic Camera Setup

Blackmagic RAW Player

Blackmagic RAW QuickLook Plugin

Blackmagic RAW SDK

Blackmagic RAW Speed Test

Operating Systems Mac 10.15 Catalina, Mac 11.1 Big Sur, or later. Windows 10, 64-bit.
Power Requirements
Power Supply 1 x External 12V DC 100W power supply with 100 – 240V AC 50/60Hz IEC C14 input.
External Power Input 1 x 4-pin XLR port for external mains power supply or battery use.
1 x 12-pin Molex connector under the rear battery plate.
Power Output +12V 4-pin XLR regulated output on the side of the camera
+12V D-Tap regulated output on VLock battery plate
Power The rear camera mount is compatible with industry-standard V-mount or gold-mount battery plates.
Accessories
Optional Accessories Blackmagic URSA Viewfinder

Blackmagic URSA Studio Viewfinder

Blackmagic Camera Fiber Converter

Blackmagic Studio Fiber Converter

Blackmagic URSA Mini Pro PL Mount

Blackmagic URSA Mini Pro F Mount

Blackmagic URSA Mini Mic Mount

Blackmagic URSA Mini Recorder

Blackmagic URSA Gold Battery Plate

Environmental Specifications
Operating Temperature 0° to 40°C (32° to 104°F)
Storage Temperature -20° to 45°C (-4° to 113°F)
Relative Humidity 0% to 90% non-condensing
Warranty
Warranty 12-Month Limited Manufacturer’s Warranty.
In The Box
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  • Blackmagic URSA Broadcast G2
  • 4K B4 lens mount installed
  • B4 turret dust cap
  • EF Mount with dust cap
  • VLock Battery Plate installed
  • URSA 12V 100W power supply
  • URSA Mini Shoulder Pad
  • URSA Mini top handle & rubber stopper
  • Viewfinder mounting plate
  • 2 x 1/4 inch baseplate screws
  • 2 x long 1/4 inch top handle screws
  • 2 x short 1/4 inch top handle screws
  • 8 x EF Mount screws
  • 4 x VLock plate spare screws
  • Welcome wallet with QR code for camera software download
  • DaVinci Resolve Studio wallet
  • DaVinci Resolve Studio activation key
Delivery Info
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How to shop TAX free in Singapore

8% Goods Service Tax (GST) will be imposed over the total invoice value if purchased locally in Singapore. However if you are a tourist visiting Singapore, this GST amount can be refunded at the Changi International Airport Departure Hall GST Refund Centre before departure with goods within 60 days from the date of purchase. Please note that only Tourists who have met the Tourist Refund Scheme’s conditions and eligibility criteria can claim for the GST refund. Visit the following link for GST Guide for Visitors on Tourist Refund Scheme. https://www.iras.gov.sg/taxes/goods-services-tax-(gst)/consumers/tourist-refund-scheme


All items that are available for purchase online are subjected to availability. For item that are available, a confirmation email will be sent to your registered email to show that your order had been processed and is ready for collection / to be delivered. In the event whereby the item ordered is unavailable, a notification email will be sent and refund will be initiated immediately.

Self-collect: Item will be ready for collection at our store once the confirmation email is received. Orders that are made on the Weekends or Public Holiday may take about 2-4 working days to process.

Delivery (Local, Singapore): Small items: Delivery will take approximately 3-5 working days (excluding weekends and public holidays) to be delivered upon confirmation of order. Orders will be delivered by Singpost or local couriers.

Large / Bulky items: Delivery will take approximately 7-10 working days (excluding weekends and public holidays) to be delivered upon confirmation of order. Orders will be delivered by Expandore.

Delivery (Overseas); Shipment will be arranged with our courier partners to be delivered to your shipping address.

If you have other inquiries for placing of order and delivery, you can refer to our FAQ here (https://www.expandore.sg/faq/) Or Contact us here (https://www.expandore.sg/contact-us/)

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USD 149.00 excl. Tax
Panasonic AK-HVF100GJ LCD
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Panasonic AK-HVF100GJ LCD Color Viewfinder With Tilt

USD 4,768.80 excl. Tax
Panasonic AK-HRP250GJ Remote
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Panasonic AK-HRP250GJ Remote Operation Panel (ROP)

USD 1,790.00 excl. Tax
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