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DataVideo KMU-200 4K Multicamera Touchscreen Switcher with Streaming and Recording
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Blackmagic Video Assist 5" 3G Portable Monitor and Recorder
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Blackmagic URSA Mini Pro 12K 35mm Digital Film Camera
SGD 8,289.00 excl. Tax
Product Highlights:
- Cinematic Super 35 12K Sensor
- Built-in ND filters
- Optimized for Fast Flexible Post Production
- Ultimate high bandwidth recorder
- Intuitive and user-friendly camera operating system
| Weight | 6 kg |
|---|
Description
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Blackmagic URSA Mini Pro 12K, Super 35 sensor and 80 Megapixel Digital Film Camera
Blackmagic Introducing the World?s Most Advanced Digital Film Camera URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award-winning URSA Mini body. The combination of 80 megapixels per frame, new color science, and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high-end still cameras. You can shoot at 60 fps in 12K, 110 fps in 8K, and up to 220 fps in 4K Super 16. Blackmagic URSA Mini Pro 12K features an interchangeable PL mount, as well as built-in ND filters, dual CFast and UHS?II SD card recorders, a SuperSpeed USB?C expansion port, and more. DaVinci Resolve Studio is included for creative control through posts from editing to color, VFX, and more.
Digital Film, Extreme Resolution
Blackmagic URSA Mini Pro 12K extreme resolution goes well beyond traditional motion picture film. You get the benefits of shooting with the film including incredible detail, wide dynamic range, and rich, deep color. Perfect for feature films, episodic television, and immersive, large-format IMAX. The incredible definition of objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Supersampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style of purity and subtlety to deliver a better-than-film experience.
Cinematic Super 35 12K Sensor
The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame. The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green, and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110 fps without cropping or changing your field of view. URSA Mini Pro?s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses so that you can capture every ounce of character and detail from your favorite optics.
Shoot in 12K, Edit on a Laptop
The Blackmagic URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12-bit RAW workflows in 12K effortless. As an incredibly efficient next-generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn?t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It?s like a multi-camera shoot with only one camera. And it?s perfect for great-looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post-production instantly, without rendering, while retaining the full sensor?s color accuracy.
Blackmagic RAW Fueled Image Capture
Only Blackmagic RAW makes cinema-quality 12?bit, 80-megapixel images at up to 60 frames a reality. Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1, and the new 18:1 are designed to give you the best possible images with predictable and consistent file sizes. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS?II cards, even at high frame rates. Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information, and custom LUTs to ensure consistency of image on set and through post-production.
Optimized for Fast Flexible Post Production
Shooting RAW in 12K preserves the deepest control of detail, exposure, and color during post. Oversampling means you get an extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post-production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi?threaded works across multiple CPU cores, and is also GPU accelerated to work with Apple Metal, CUDA, and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization, and tracking in 4K or 8K.
Full Resolution at Higher Frame Rates
Blackmagic URSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, and even insanely detailed 12K. With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time. You can shoot up to 60 fps in 12K 12,288 x 6480 17:9.For higher frame rates, you can shoot 110 fps at 8192 x 4320, 140 fps at 8192 x 3408, and even window the sensor to Super 16 to capture 4K at an incredible 220 fps at 4096 x 2160 DCI. URSA Mini Pro 12K has flexible frame rate and resolution options and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.
High Band Width Recording
Blackmagic URSA Mini Pro 12K is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built-in CFast and UHS?II SD card recorders, and a SuperSpeed USB?C expansion port for recording to fast SATA and NVMe drives. With “Record RAW on 2 Cards” turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB/s to 2 CFast cards, or an impressive 500MB/s to 2 UHS?II SD cards. The SuperSpeed USB?C expansion port on the rear can record to USB?C flash storage up to 900MB/s as a third recording option so you won?t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 110 fps.
Easy to Use Blackmagic OS
With advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily.
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Specifications
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| Camera Features | |
| Effective Sensor Size | 27.03mm x 14.25mm (Super35) |
| Lens Mount | PL mount included. Interchangeable with optional EF and F lens mounts. |
| Lens Control | 12-pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount. |
| Dynamic Range | 14 Stops |
| Shooting Resolutions | 12,288 x 6480 (12K DCI) |
| 11,520 x 6480 (12K 16:9) | |
| 12,288 x 5112 (12K 2.4:1) | |
| 7680 x 6408 (12K Anamorphic) | |
| 8192 x 4320 (8K DCI) | |
| 7680 x 4320 (8K 16:9) | |
| 8192 x 3408 (8K 2.4:1) | |
| 5120 x 4272 (8K Anamorphic) | |
| 6144 x 3240 (6K Super16) | |
| 4096 x 2160 (4K Super16) | |
| 4096 x 2160 (4K DCI) | |
| 3840 x 2160 (4K 16:9) | |
| 4096 x 1704 (4K 2.4:1) | |
| 2560 x 2136 (4K Anamorphic) | |
| Frame Rates | Maximum sensor frame rate is dependent on the resolution selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps are supported. |
| High-Speed Frame Rates | 12K 17:9 full sensor up to 60 fps |
| 8K DCI full sensor up to 110 fps | |
| 4K DCI full sensor up to 110 fps | |
| 8K 2.4:1 and 4K 2.4:1 up to 140 fps | |
| 6K Super 16 up to 120 fps | |
| 4K Super 16 up to 220 fps | |
| Built-in ND Filters | Four-position ND filter wheel with clear, 2-stop, 4-stop, and 6-stop IR ND filters. |
| Focus | The focus button turns on peaking, and autofocus is available using compatible lenses. |
| Iris Control | Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode. |
| Screen Dimensions | 4″ |
| Screen Type | LCD capacitive touchscreen. |
| Metadata Support | Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using an optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take, and special notes. |
| Controls | Touchscreen menus on a 4-inch screen. Push buttons for other controls. 3 assignable shortcut keys. |
| Timecode Clock | Highly accurate timecode clock. Less than 1 frame drift every 8 hours. |
| Connections | |
| Total Video Inputs | 1 x 12G-SDI |
| Total Video Outputs | 1 x 12G-SDI, 1 x 3G-SDI Monitoring. |
| SDI Rates | 1.5G, 3G, 6G, 12G. |
| Analog Audio Inputs | 2 x XLR analog switchable between mic, line and AES audio. Phantom power support. |
| Analog Audio Outputs | 1 x 3.5mm headphone jack, supports iPhone microphone for talkback. |
| Reference Inputs | Tri-Sync/Black Burst/Timecode. |
| Remote Control | 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses. |
| Computer Interface | 1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording. |
| 1 x USB Type-C for software updates. | |
| Audio | |
| Microphone | Integrated stereo microphone. |
| Built-in Speaker | 1 x mono speaker. |
| Standards | |
| SD Video Standards | None. |
| HD Video Standards | 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60 |
| Ultra HD Video Standards | 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 |
| SDI Compliance | SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1 |
| SDI Audio Sampling | 48 kHz and 24 bit |
| Media | |
| Media | 2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media. |
| Media Format | Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems. |
| Supported Codecs | |
| Codecs | Blackmagic RAW Constant Bitrate 5:1, |
| Blackmagic RAW Constant Bitrate 8:1, | |
| Blackmagic RAW Constant Bitrate 12:1, | |
| Blackmagic RAW Constant Bitrate 18:1, | |
| Blackmagic RAW Constant Quality Q0, | |
| Blackmagic RAW Constant Quality Q1, | |
| Blackmagic RAW Constant Quality Q3, | |
| Blackmagic RAW Constant Quality Q5. | |
| Control | |
| External Control | Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control. |
| Talkback and Tally | |
| Talkback | SDI Channels 15/16 and iPhone headset |
| Live Tally Indicator | Tally on LCD, URSA Viewfinder, and URSA Studio Viewfinder |
| Storage Features | |
| Storage Type | 2 x CFast 2.0 |
| 2 x SD UHS-II cards | |
| 1 x high-speed USB-C expansion port for external media. | |
| Storage Rates | Storage rates based on 24 frames per second.12K – 12,288 x 6480 |
| Blackmagic RAW 5:1 – 578 MB/s | |
| Blackmagic RAW 8:1 – 361 MB/s | |
| Blackmagic RAW 12:1 – 241 MB/s | |
| Blackmagic RAW 18:1 – 160 MB/s | |
| Blackmagic RAW Q0 – 241 to 578 MB/s 1 | |
| Blackmagic RAW Q1 – 144 to 361 MB/s 2 | |
| Blackmagic RAW Q3 – 96 to 241 MB/s 3 | |
| Blackmagic RAW Q5 – 72 to 180 MB/s 48K – 8192 x 4320 | |
| Blackmagic RAW 5:1 – 258 MB/s | |
| Blackmagic RAW 8:1 – 161 MB/s | |
| Blackmagic RAW 12:1 – 107 MB/s | |
| Blackmagic RAW 18:1 – 72 MB/s | |
| Blackmagic RAW Q0 – 107 to 258 MB/s 1 | |
| Blackmagic RAW Q1 – 64 to 161 MB/s 2 | |
| Blackmagic RAW Q3 – 43 to 107 MB/s 3 | |
| Blackmagic RAW Q5 – 32 to 81 MB/s 46K – 6144 x 3240 | |
| Blackmagic RAW 5:1 – 145 MB/s | |
| Blackmagic RAW 8:1 – 91 MB/s | |
| Blackmagic RAW 12:1 – 61 MB/s | |
| Blackmagic RAW 18:1 – 40 MB/s | |
| Blackmagic RAW Q0 – 61 to 145 MB/s 1 | |
| Blackmagic RAW Q1 – 36 to 91 MB/s 2 | |
| Blackmagic RAW Q3 – 24 to 61 MB/s 3 | |
| Blackmagic RAW Q5 – 18 to 45 MB/s 44K – 4096 x 2160 | |
| Blackmagic RAW 5:1 – 65 MB/s | |
| Blackmagic RAW 8:1 – 41 MB/s | |
| Blackmagic RAW 12:1 – 27 MB/s | |
| Blackmagic RAW 18:1 – 18 MB/s | |
| Blackmagic RAW Q0 – 27 to 65 MB/s 1 | |
| Blackmagic RAW Q1 – 16 to 41 MB/s 2 | |
| Blackmagic RAW Q3 – 11 to 27 MB/s 3 | |
| Blackmagic RAW Q5 – 8 to 20 MB/s 41 Constant Quality setting Q0 storage rates quoted are indicative only, based on a 5:1 – 12:1 compression range.2 Constant Quality setting Q1 storage rates quoted are indicative only, based on a 8:1 – 20:1 compression range.3 Constant Quality setting Q3 storage rates quoted are indicative only, based on a 12:1 – 30:1 compression range.4 Constant Quality setting Q5 storage rates quoted are indicative only, based on a 16:1 – 40:1 compression range.Actual storage rates are entirely dependent on the image subject matter. | |
| Recording Formats | Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1, and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in the metadata. |
| Software | |
| Software Included | URSA Mini Operating System |
| DaVinci Resolve Studio for Mac and Windows including activation key | |
| Blackmagic Camera Setup | |
| Blackmagic RAW Player | |
| Blackmagic RAW QuickLook Plugin | |
| Blackmagic RAW SDK | |
| Blackmagic RAW Speed Test | |
| Power Requirements | |
| Power Supply | 1 x External 12V power supply. 12-pin Molex connector for rear battery plate. |
| External Power Input | 1 x 4-pin XLR port for external power or battery use. |
| 1 x 12-pin Molex connector on the rear battery plate. | |
| Custom V-mount battery plate with D-tap +12V regulated output from the camera. | |
| Power | The rear camera mount is compatible with industry-standard V-mount or gold-mount battery plates. |
| Environmental Specifications | |
| Operating Temperature | 0° to 40°C (32° to 104° F) |
| Storage Temperature | -20° to 45°C (-4° to 113°F) |
| Relative Humidity | 0% to 90% non-condensing |
In The Box
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- Blackmagic URSA Mini Pro 12K Body
- Turret dust cap
- PL lens mount
- Power supply
- DaVinci Resolve Studio activation key
- 12 Month Limited Manufacturer’s Warranty.
Delivery Info
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Product Specialist –
Unveiling Cinematic Excellence: Evaluation of the Blackmagic URSA Mini Pro 12K
The Blackmagic URSA Mini Pro 12K emerges as a pioneering marvel in the domain of digital film cameras, establishing a fresh standard for resolution and cinematic excellence.
Revolution in Resolution:
At the core of the URSA Mini Pro 12K lies its awe-inspiring 12K resolution, a technological leap that reshapes the horizons of digital filmmaking possibilities. The intricacy and lucidity achieved by this camera are nothing short of revolutionary, delivering visuals that not only captivate but also ensure future relevance amidst the evolving cinematic standards.
Color Precision:
The commitment of Blackmagic Design to superior color science manifests in the URSA Mini Pro 12K. The camera generates a spectrum of true-to-life colors with an expansive dynamic range, guaranteeing that each frame serves as a canvas for unparalleled artistic expression. The options for color grading empower filmmakers to realize their envisioned visual tone with unparalleled precision.
Low-Light Brilliance:
The URSA Mini Pro 12K truly distinguishes itself in navigating the intricacies of challenging low-light scenarios. The dual native ISO settings at 800 and 3200 offer unprecedented flexibility, capturing footage that is not only pristine but also devoid of noise, even in the most demanding lighting conditions. This characteristic stands as a testimony to the camera’s adaptability and reliability in diverse shooting environments.
Craftsmanship and Design:
Conceived with durability at its core, the URSA Mini Pro 12K boasts a sturdy build that instills confidence in its performance. The ergonomic design ensures a comfortable handling experience, and the judiciously placed controls facilitate seamless operation. The modular design of the camera further amplifies its versatility, addressing the diverse needs of filmmakers.
User-Friendly Controls and Interface:
Effortless traversal of the camera’s settings is facilitated by the intuitive touchscreen interface. The user-friendly controls and a coherent menu layout render the URSA Mini Pro 12K accessible to both seasoned professionals and those venturing into the realm of Blackmagic cinematography.
Management of Media:
Considering the substantial file sizes associated with 12K footage, the URSA Mini Pro 12K provides effective media storage solutions. Supporting CFast cards and featuring dual CFast card slots, the camera enables prolonged recording times without compromising on data transfer speed.
In Conclusion, the Blackmagic URSA Mini Pro 12K stands as an epitome of digital filmmaking technology. From its unmatched resolution and color precision to its prowess in low-light conditions and robust construction, this camera serves as a testament to Blackmagic Design’s dedication to empowering filmmakers. While the 12K capabilities may be perceived as ambitious by some, for those in pursuit of the zenith of image quality, the URSA Mini Pro 12K emerges as a formidable choice, elevating cinematic storytelling to unparalleled heights. It’s not just a camera; it’s a gateway to a new era of visual brilliance.