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Blackmagic URSA Mini Pro 12K OLPF 35mm Digital Film Camera
SGD 8,289.00 excl. Tax
Product Highlights:
- 12K Super35 sensor and 14 stops of dynamic range
- Built-in ND filters
- User changeable lens mount
- Recording to dual CFast or SD cards.
- Supports recording directly to a flash disk or SSD
| Weight | 6 kg |
|---|
Description
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Blackmagic URSA Mini Pro 12K OLPF
Blackmagic URSA Mini Pro 12K OLPF is a revolution in the digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range. The third generation URSA Mini Pro features new color science and shoots 80 megapixels per frame in Blackmagic RAW. You also get built-in ND filters, user changeable lens mount, and recording to dual CFast or SD cards. URSA Mini Pro 12K even supports recording directly to a flash disk or SSD using its built-in SuperSpeed USB?C connection.
When shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra-sharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing.
URSA Mini Pro 12K OLPF adds a high-performance, optical low-pass filter that is precisely matched to the 12K sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves color and critical image detail for new levels of image fidelity. The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12-bit RAW workflows in 12K effortless.
As an incredibly efficient next-generation codec Blackmagic RAW lets customers shoot 12K and edit on a laptop, a capability that simply isn?t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It?s like a multi-camera shoot with only one camera. And it?s perfect for great-looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that customers can work in any resolution in post-production instantly, without rendering, while retaining the full sensor?s color accuracy.
Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high-contrast scenes.
Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets customers take advantage of the new film curve even with their existing work.
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Specifications
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| Camera Features | |
| Effective Sensor Size | 27.03mm x 14.25mm (Super35) |
| Lens Mount | PL mount included. Interchangeable with optional EF and F lens mounts. |
| Lens Control | 12-pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount. |
| Dynamic Range | 14 Stops |
| Shooting Resolutions | 12,288 x 6480 (12K DCI) 11,520 x 6480 (12K 16:9) 12,288 x 5112 (12K 2.4:1) 7680 x 6408 (12K anamorphic)8192 x 4320 (8K DCI) 7680 x 4320 (8K 16:9) 8192 x 3408 (8K 2.4:1) 5120 x 4272 (8K anamorphic)6144 x 3240 (6K Super16) 4096 x 2160 (4K Super16)4096 x 2160 (4K DCI) 3840 x 2160 (4K 16:9) 4096 x 1704 (4K 2.4:1) 2560 x 2136 (4K anamorphic) |
| Frame Rates | The maximum sensor frame rate is dependent on the resolution selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 fps are supported. |
| High-Speed Frame Rates | 12K 17:9 full sensor up to 60 fps 12K 2.4:1 up to 75 fps 8K DCI full sensor up to 120 fps 4K DCI full sensor up to 120 fps 8K 2.4:1 and 4K 2.4:1 up to 160 fps6K Super 16 up to 120 fps 4K Super 16 up to 240 fps |
| Built-in ND Filters | Four-position ND filter wheel with clear, 2-stop, 4-stop, and 6-stop IR ND filters. |
| Focus | The focus button triggers autofocus when using compatible lenses with the focus servo. Touch and hold on LCD determines focus region and triggers autofocus. |
| Iris Control | Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode. |
| Screen Dimensions | 4 inch |
| Screen Type | LCD capacitive touchscreen. |
| Metadata Support | Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using an optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take, and special notes. |
| Controls | Touchscreen menus on the 4-inch screen. Push buttons for other controls. 3 assignable shortcut keys. |
| Timecode Clock | Highly accurate timecode clock. Less than 1 frame drift every 8 hours. |
| Connections | |
| Total Video Inputs | 1 x 12G-SDI |
| Total Video Outputs | 1 x 12G-SDI, 1 x 3G-SDI Monitoring. |
| SDI Rates | 1.5G, 3G, 6G, 12G. |
| Analog Audio Inputs | 2 x XLR analog switchable between mic, line, and AES audio. Phantom power support. |
| Analog Audio Outputs | 1 x 3.5mm headphone jack, supports iPhone microphone for talkback. |
| Reference Inputs | Tri-Sync/Black Burst/Timecode. |
| Remote Control | 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses. |
| Computer Interface | 1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording. 1 x USB Type-C for software updates. |
| Audio | |
| Microphone | Integrated stereo microphone. |
| Built-in Speaker | 1 x mono speaker. |
| Standards | |
| SD Video Standards | None |
| HD Video Standards | 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60 |
| Ultra HD Video Standards | 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 |
| SDI Compliance | SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1 |
| SDI Audio Sampling | 48 kHz and 24 bit |
| Media Player | |
| Media | 2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media. |
| Media Format | Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems. |
| Alternative Media | 1 x 2.5” drive slot for 7mm and 9.5mm U.2 NVMe SSD or SATA SSD with optional URSA Mini Recorder. |
| Supported Codecs | |
| Codecs | Blackmagic RAW Constant Bitrate 5:1, Blackmagic RAW Constant Bitrate 8:1, Blackmagic RAW Constant Bitrate 12:1, Blackmagic RAW Constant Bitrate 18:1, Blackmagic RAW Constant Quality Q0, Blackmagic RAW Constant Quality Q1, Blackmagic RAW Constant Quality Q3, Blackmagic RAW Constant Quality Q5. |
| Control | |
| External Control | Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control. |
| Talkback and Tally | |
| Talkback | SDI Channels 15/16 and iPhone headset. |
| Live Tally Indicator | Tally on LCD, URSA Viewfinder, and URSA Studio Viewfinder. |
| Storage Features | |
| Storage Type | 2 x CFast 2.0 2 x SD UHS-II cards 1 x high speed USB-C expansion port for external media. |
| Storage Rates | 2K Full Sensor – 12,288 x 6480 at 24 frames per second.Blackmagic RAW 5:1 – 578 MB/s Blackmagic RAW 8:1 – 361 MB/s Blackmagic RAW 12:1 – 241 MB/s Blackmagic RAW 18:1 – 160 MB/s Blackmagic RAW Q0 – 289 to 1,156 MB/s Blackmagic RAW Q1 – 241 to 963 MB/s Blackmagic RAW Q3 – 145 to 722 MB/s Blackmagic RAW Q5 – 97 to 413 MB/s8K Full Sensor – 8192 x 4320 at 24 frames per second.Blackmagic RAW 5:1 – 257 MB/s Blackmagic RAW 8:1 – 161 MB/s Blackmagic RAW 12:1 – 107 MB/s Blackmagic RAW 18:1 – 71 MB/s Blackmagic RAW Q0 – 257 to 642 MB/s Blackmagic RAW Q1 – 214 to 428 MB/s Blackmagic RAW Q3 – 107 to 321 MB/s Blackmagic RAW Q5 – 81 to 257 MB/s6K Super 16 – 6144 x 3240 at 24 frames per second.Blackmagic RAW 5:1 – 146 MB/s Blackmagic RAW 8:1 – 91 MB/s Blackmagic RAW 12:1 – 61 MB/s Blackmagic RAW 18:1 – 40 MB/s Blackmagic RAW Q0 – 73 to 291 MB/s Blackmagic RAW Q1 – 61 to 242 MB/s Blackmagic RAW Q3 – 37 to 182 MB/s Blackmagic RAW Q5 – 25 to 104 MB/s4K Full Sensor – 4096 x 2160 at 24 frames per second.Blackmagic RAW 5:1 – 161 MB/s Blackmagic RAW 8:1 – 107 MB/s Blackmagic RAW 12:1 – 80 MB/s Blackmagic RAW 18:1 – 53 MB/s Blackmagic RAW Q0 – 161 to 268 MB/s Blackmagic RAW Q1 – 107 to 214 MB/s Blackmagic RAW Q3 – 81 to 179 MB/s Blackmagic RAW Q5 – 54 to 161 MB/s4K Super 16 – 4096 x 2160 at 240 frames per second.Blackmagic RAW 5:1 – 648 MB/s Blackmagic RAW 8:1 – 405 MB/s Blackmagic RAW 12:1 – 271 MB/s Blackmagic RAW 18:1 – 180 MB/s Blackmagic RAW Q0 – 648 to 1,618 MB/s Blackmagic RAW Q1 – 540 to 1,079 MB/s Blackmagic RAW Q3 – 271 to 810 MB/s Blackmagic RAW Q5 – 203 to 648 MB/sRecording Formats Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata.Actual storage rates are dependent on image subject matter. |
| Recording Formats | Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata. |
| Software | |
| Software Included | Blackmagic OS DaVinci Resolve Studio for Mac and Windows including activation key Blackmagic Camera Setup Blackmagic RAW Player Blackmagic RAW QuickLook Plugin Blackmagic RAW SDK Blackmagic RAW Speed Test |
| Operating Systems | Mac 10.15 Catalina, Mac 11.1 Big Sur or later. Windows 10. |
| Power Requirements | |
| Power Supply | 1 x External 12V power supply. 12 pin Molex connector for rear battery plate. |
| External Power Input | 1 x 4 pin XLR port for external power or battery use. 1 x 12 pin Molex connector on rear battery plate. Custom V-mount battery plate with D-tap +12V regulated output from camera. |
| Power | Rear camera mount compatible with industry standard V-mount or gold mount battery plates. |
| Accessories | |
| Optional Accessories | URSA Mini Pro PL, EF and F Mounts URSA Mini Pro Shim Kit URSA Mini Shoulder Kit including top handle and extender arm URSA Viewfinder URSA Studio Viewfinder URSA Mini Recorder URSA VLock Battery Plate URSA Gold Battery Plate URSA Mini Mic Mount URSA Mini Top Handle URSA Handgrip Blackmagic Camera Fiber Converter |
| Environmental Specifications | |
| Operating Temperature | 0° to 40°C (32° to 104°F) |
| Storage Temperature | -20° to 45°C (-4° to 113°F) |
| Relative Humidity | 0% to 90% non-condensing |
| Warranty | |
| Warranty | 12 Months Limited Manufacturer’s Warranty. |
In The Box
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- Blackmagic URSA Mini Pro 12K OLPF Body
- Turret dust cap
- PL lens mount
- Power supply
- DaVinci Resolve Studio activation key
Delivery Info
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9% Goods Service Tax (GST) will be imposed over the total invoice value if purchased locally in Singapore. However if you are a tourist visiting Singapore, this GST amount can be refunded at the Changi International Airport Departure Hall GST Refund Centre before departure with goods within 60 days from the date of purchase. Please note that only Tourists who have met the Tourist Refund Scheme’s conditions and eligibility criteria can claim for the GST refund. Visit the following link for GST Guide for Visitors on Tourist Refund Scheme. https://www.iras.gov.sg/taxes/goods-services-tax-(gst)/consumers/tourist-refund-scheme
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Product Specialist –
Blackmagic URSA Mini Pro 12K OLPF: A Cinematic Revolution Unleashed
The Blackmagic URSA Mini Pro 12K OLPF is not just a camera; it’s a revolution in the realm of digital filmmaking. Boasting a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, this third-generation URSA Mini Pro sets a new standard for image quality and versatility in the industry.
Image Quality and Sensor Design:
The heart of this cinematic powerhouse is its 12K sensor, capturing a staggering 80 megapixels per frame in Blackmagic RAW. The sensor and Blackmagic RAW were designed in tandem, ensuring seamless 12-bit RAW workflows in 12K, effortlessly preserving color accuracy and critical image detail.
Optical Low Pass Filter (OLPF) Innovation:
One of the standout features is the addition of a high-performance OLPF precisely matched to the 12K sensor. This filter addresses the challenges posed by high-frequency LED matrices in virtual production environments, minimizing interference and reducing moire and aliasing. The updated IR filtering enhances far red color response, contributing to unparalleled image fidelity.
Versatility and Flexibility:
The URSA Mini Pro 12K is not just about resolution—it’s about adaptability. With built-in ND filters, a user-changeable lens mount, and the option to record to dual CFast or SD cards, this camera is a versatile companion for filmmakers tackling diverse shooting scenarios. The built-in SuperSpeed USB-C connection allows for direct recording to a flash disk or SSD, adding a layer of convenience to the workflow.
Blackmagic RAW: A Game-Changer:
The efficiency of the next-generation codec, Blackmagic RAW, allows filmmakers to shoot in 12K and edit on a laptop—a feat unmatched by other codecs. The massive sensor resolution enables reframing in post for delivery in 8K and 4K, providing the flexibility of a multi-camera shoot with only one camera. The ability to work in any resolution in post-production instantly, without rendering, is a game-changer, maintaining the full sensor’s color accuracy.
Generation 5 Color Science:
The URSA Mini Pro 12K features Blackmagic’s Generation 5 Color Science, introducing a new film curve that maximizes the wealth of color data from the sensor. This results in even better color response, particularly in skin tones, and enhanced rendering of highly saturated colors in high-contrast scenes. The color and dynamic range data are preserved via metadata, allowing users to leverage the new film curve even with existing Blackmagic RAW files.
In conclusion, the Blackmagic URSA Mini Pro 12K OLPF 35mm Digital Film Camera is a revolution in the world of digital filmmaking. From its revolutionary sensor design and OLPF innovation, flexibility, and the power of the game-changing Blackmagic RAW codec and Generation 5 Color Science, every aspect is meticulously crafted to deliver an unparalleled filmmaking experience. Whether you’re capturing the subtle nuances of skin tones or the vivid hues of neon signs, this camera is a creative powerhouse that empowers filmmakers to bring their vision to life with unmatched precision and fidelity.