Canon EOS C500 PL 4K Super 35mm CMOS Sensor Digital Cinema Camera
The Cinema EOS C500 PL 4K Digital Cinema Camera capitalizes on the groundbreaking ergonomic design of the EOS C300 camera, and offers a Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition. Addressing the discrete needs of cinema and TV, the EOS C500 offers two forms of 4K origination – productions can dynamically select DCI (SMPTE 2048-1:2011 standard) or the alternative television-centric Quad-HD (SMPTE 2036-1:2009 and ITU-R BT.1769 standards) source image formats.
The EOS C500 PL features uncompressed Canon RAW output for both 4K and 2K recording. The Canon RAW output is delivered to external recording systems via built-in dual 3G-SDI ports. Dual uncompressed HD-SDI out ports supports external live monitoring. HD content can be written to dual onboard CF cards simultaneously to provide proxy video for offline NLE systems.
Canon has collaborated with some of the most respected names in the industry to ensure the Cinema EOS C500 PL’s output works seamlessly with external digital recording units, portable and master monitors, and on set DIT systems. The Cinema EOS C500 PL provides flexibility in 4K and 2K recording to allow production teams to maximize the efficiency in their production and post-production workflows.
4K 10 bit RAW
The C500 offers 4K 10-bit RAW, 2K RGB (4:4:4, 10 / 12 bit) or Full HD RGB data output to a compatible third party external device at frame rates of up to 60P. Two further SDI outputs can connect to an external monitor. Simultaneously record Full HD MXF files to CF cards for use as proxies in desktop editing.
Canon Log
Shooting with Canon Log delivers neutral image quality with wide dynamic range – 12-stops of latitude at a base setting of ISO 850 – for maximum freedom in post-production.
Slow and Fast Motion
During internal CF recording mode, the EOS C500 provides a Slow and Fast Motion Mode that can be used to record at a different frame rate than the playback frame rate, thereby resulting in either a fast or slow motion effect. Because the EOS C500 is recording real frames, and simply modifying the data playback rate, there is no overall quality loss due to interpolation; maximum image quality is maintained. In HD 1080 mode, fast motion is supported at up to 30-times normal rate and as slow as 1/1.25sec.; in HD 720 mode, fast motion is supported up to 60-times the normal rate, and as slow as 1/2.5 seconds. In 4K/2K output modes the camera provides variable frame rate control that can be output to external recorders.
The EOS C500 incorporates an interval recording function. With this feature set, users can program the camera to record a specified number of frames at specified intervals for time-lapse capture.
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