Canon EOS C700 PL RAW format recording at 4K Cinema Camera

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  • Super 35mm-equivalent CMOS sensor at 4K 50p / 60p
  • DIGIC DV 5 image processing platform
  • Wide dynamic range of up to 15 stops
  • Dual Pixel CMOS AF assists
  • Slow & Fast Motion recording
  • RAW format recording at 4K 100p / 120p
  • Apple ProRes format
SKU: EOS C700 PL Categories: ,

Canon EOS C700 PL HDR support for a whole different level

The flagship model of the Cinema EOS System lineup, the EOS C700 features an EF or PL mount to enable users to utilize a vast variety of lens options available. High quality footage can be taken with the Super 35mm-equivalent CMOS sensor at 4K 50p / 60p. With the Triple DIGIC DV 5 image processing platform, footage with a wide dynamic range of up to 15 stops can be recorded.

Dual Pixel CMOS AF assists in ensuring focus accuracy during single-person operation. Slow & Fast Motion recording is supported from 1 fps onwards, which when equipped with the CDX-36150 recorder developed by Codex, RAW format recording at 4K 100p / 120p is possible. The camera also supports recording in Apple ProRes format

Equipped with Canon Log Gammas and ST 2084 to Support Next Generation HDR Content Creation
Support for new generation HDR content creation is evident with the features of the Canon EOS C700 PL. Besides the original Canon Log format, the camera is also equipped with Canon Log 2 which enables image capture at a wide dynamic range of up to 15 stops, and Canon Log 3 which when employed in grading fully utilizes the wide dynamic range of up to 14 stops.

The Society of Motion Picture & Television Engineers (SMPTE) ST 2084 standards for monitoring are also supported, and HDR images may be confirmed on compatible display screens such as the DP-V2420 as well as Electronic Viewfinder EVF-V70, sold separately

EF mount; Also Supports B4 Mount Adapter and Anamorphic Lenses
Lens lineups supported include the EF Cinema lenses lineup for professional filmmakers, as well as the over-60-lens strong EF lens lineup, which are able to utilize the speedy and precise autofocus capabilities of the Dual Pixel CMOS AF system.

The camera is also compatible with anamorphic lenses used in cinema productions, allowing users to take advantage of the wide aspect ratio as well as unique visual characteristics not possible with normal spherical lenses, such as special flare and bokeh image characteristics. ENG broadcasting lenses may also be attached with the use of a B4 mount adapter, MO-4E or MO-4P sold separately.

Slow & Fast Motion recording possible up to 240p
The Canon EOS C700 PL can record at 4K 50p / 60p internally to CFast cards. When equipped with the CDX-36150 external RAW recorder, it can record in 4K RAW at up to 100p / 120p. On top of that, the camera is also able to record internally at a high frame rate of Full HD 100p / 120p, and an even higher frame rate at up to 200p / 240p (cropped mode). The frame rate can be set from fps to 240fps for the production of unique fast or slow motion footage.

Image Sensor
Sensor Super 35mm type CMOS
System RGB primary colour filter (Beyer array)
Total Pixels per sensor Approx. 11.54 megapixels (4622 x 2496)
Effective Pixels per sensor 4096 x 2160 / 2048 x 1080: Approx. 8.85MP
3840 x 2160 / 1920 x 1080: Approx 8.29MP
Dynamic Range Canon Log 2 / Canon Log 3: 1600% (ISO 800 or higher)
With Canon Log / Wide DR: 800% (ISO 400 or higher)
Image Processor

Triple DIGIC DV 5

Lens Mount Canon EF Mount with Cinema Lock / PL Mount (Cooke / i Technology compatible) depending on version
B4 mount lens via adapter accessory (EF or PL)
Lens Magnification factor
(for EF Mount lenses, including Cinema Primes)
4096 x 2160 or 2048 x 1080:
Focal length x approx. 1.460
3840 x 2160 or 1920 x 1080: Focal length x approx. 1.534
B4 adapter attached: Focal length x approx 1.3 (1.2947) (Full HD / 1920 x 1080)
PL Mount version: No magnification factor for Canon Cinema Zooms
Peripheral Illumination Correction Yes (dependent on lens used)
ND Filter Up to 10 stops via built in ND filter system
Focus Control EF Mount: Via lens, wireless control or wired remote (dependent on lens used)
PL Mount: Only Cine Servo lenses
Iris Control Via body, grip, wireless control or wired remote.
1/2-stop, 1/3-stop or FINE control.
Possible to maintain constant F-number during zoom.
Cooke / I Technology Support YES (PL Mount only)
Anamorphic Lens Support YES
Image Stabilization System Depends on lens used
Built- In EVF NO

Optional EVF Accessory

YES. OLED Electronic ViewFinder, EVF-V70
Display Panel
Control Display 3.0" (7.66cm on the diagonal) colour liquid crystal, approx. 1.036 million dots
Inputs / Outputs
Audio In XLR 3-pin connector x2, 3.5mm stereo mini jack (input only)
Headphone Output 3.5 mm stereo mini jack (output only)
Video Monitor Output MON.1 / MON.2: BNC jack, output only
HDMI HDMI connector (type A) (output only)
SDI Output BNC jack (4 lines, output only)
Time Code BNC jack (input / output)
Genlock BNC jack (input only / also serves as SYNC OUT connector)
Synch BNC jack (output only / also serves as GENLOCK connector)
Component Out NO
AV Terminal NO
DC Output DC 24V 2A jack Fisher 3-pin jack (output only), DC 12V 2A jack LEMO 2-pin jack (output only)
DC Input XLR 4-pin jack
Remote Control Terminal REMOTE A connector 2.5mm stereo mini-mini jack (input only)
REMOTE B connector Round 8-pin jack (for RS-422)
Wireless Control Terminal YES, for WFT-E6B.WFT-E8
Lens Terminal 12-pin jack
Ethernet Terminal Ethernet connector (RJ45) (supports 1000 BASE-T)
CTRL Terminal Canon's proprietary specifications, LEMO 7-pin jack
Video connector (For EVF) Canon's proprietary specifications (special 13-pin jack, output only)
Wi-Fi & GPS Specifications
GPS Information (Optional Accessory) Latitude / Longitude / Elevation, Coordinated Universal Time (UTC)
White Balance
Auto YES
Preset Daylight (5400K), Tungsten (3200K), Kelvin (2000K – 15000K, 100K intervals), Set A, Set B
White Balance Shift YES. -9 to +9 (Daylight and Tungsten only)
Black Balance
Black Balance Adjustment YES
Time Code
Countup System Regen, RecRun, FreeRun, External, Hold (Drop frame available for some frame rates)
Start Value Setting "00:00:00:00", Set / Reset selectable
Recording Internal & Capture Drive recording: linear PCM 48KHz, 24-bit, 4-ch
RAW (SDI OUT): linear PCM 48 KHz, 16-bit, 2-ch
Digital input available following two-channel (XLR), analog input, AES3 standards (48kHz / 24-bit / 2-ch)
Operating Temperature Range Approx. 0°C to 40°C, 85% (relative humidity)
Approx. -5°C to 45°C, 60% (relative humidity)

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