SENSOR SECTION |
Image Sensor |
1/2.5-type (inch) MOS Sensor |
Effective Pixels |
8.29 megapixels |
LENS SECTION |
F Value |
F1.8 ― 4.0 |
Optical Zoom |
24x |
Focal Length |
4.12 ― 98.9mm |
35 mm Film Camera Equivalent |
25.0 ― 600.0 mm |
Filter Diameter |
62 mm |
Lens Brand |
Leica Dicomar Lens |
CAMERA SECTION |
Minimum Illumination |
1.5 lx (F1.8, Super Gain +, 1/30) |
Focus |
Auto / Manual |
Zoom |
Intelligent Zoom OFF |
24x |
Intelligent Zoom ON |
Max. 48x (UHD 32x) |
Digital Zoom |
2x / 5x / 10x |
ND Filter |
1/4, 1/16, 1/64, OFF |
IR Filter |
Incorporates the ON/OFF control function |
White Balance |
Auto / ATW LOCK / 3200K / 5600K / VAR (2000K—15000K) / Ach Fixed / Bch Fixed |
Shutter Speed |
59.94 Hz mode |
59.94i/59.94p: 1/60, 1/100, 1/120, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000,
1/1500,1/2000, 1/3000, 1/4000, 1/8000 sec
29.97p: 1/30, 1/50, 1/60, 1/100, 1/120, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000,
1/1500,1/2000, 1/3000, 1/4000, 1/8000 sec
23.98p: 1/24, 1/48, 1/50, 1/60, 1/100, 1/120, 1/180, 1/250, 1/350, 1/500, 1/750,
1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/8000 sec |
50.00 Hz mode |
50i/50p: 1/50, 1/60, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000, 1/1500, 1/2000,
1/3000, 1/4000, 1/8000 sec
25p: 1/25, 1/50, 1/60, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/750, 1/1000, 1/1500, 1/2000,
1/3000, 1/4000, 1/8000 sec |
Slow Shutter Speed |
59.94 Hz mode |
59.94i/59.94p: 1/8, 1/15, 1/30 sec
29.97p: 1/8, 1/15 sec
23.98p: 1/6, 1/12 sec |
50.00 Hz mode |
50i/50p: 1/6, 1/12, 1/25 sec
25p: 1/6, 1/12 sec |
Super Slow Recording Frame Rate |
59.94 Hz mode |
FHD 120 fps (1/2 speed at 60p, 1/4 speed at 30p, 1/5 speed at 24p) |
50.00 Hz mode |
FHD 100 fps (1/2 speed at 50p, 1/4 speed at 25p) |
Iris |
Auto / Manual |
Image Stabilizer |
Ball O.I.S., 5-Axis HYBRID O.I.S. (UHD/FHD) |
RECORDING SECTION |
Recording Media |
SDHC/SDXC Memory Card |
Recording Format |
MOV, MP4, AVCHD |
Video Compression Method |
MOV/MP4: H.264/MPEG-4 AVC High Profile, H.265/MPEG-H HEVC Main10 Profile
AVCHD: H.264/MPEG-4 AVC High Profile |
Audio Compression Method |
MOV: LPCM (24bit 2ch)
MP4: AAC (16bit 2ch)
AVCHD: Dolby Audio (16bit 2ch) |
System Frequency |
59.94Hz / 50.00Hz |
Recording / Playback Mode |
MOV (HEVC) |
[4:2:0 10bit] UHD 3840×2160 59.94p/50.00p HEVC 200M: Average 200Mbps (VBR)
UHD 3840×2160 29.97p/25.00p/23.98p HEVC 150M: Average 150Mbps (VBR)
UHD 3840×2160 59.94p/50.00p HEVC 100M: Average 100Mbps (VBR) |
MOV |
[4:2:0 8bit] UHD 3840×2160 59.94p/50.00p 150M: Average 150Mbps (VBR)
UHD 3840×2160 29.97p/25.00p/23.98p 100M: Average 100Mbps (VBR)
[4:2:2 10bit] UHD 3840×2160 29.97p/25.00p/23.98p 150M: Average 150Mbps (VBR)
FHD 1920×1080 59.94p/50.00p 200M (ALL-Intra): Average 200Mbps (VBR)
FHD 1920×1080 29.97p/25.00p/23.98p 100M (ALL-Intra): Average 100Mbps (VBR)
FHD 1920×1080 59.94i/50i 100M (ALL-Intra): Average 100Mbps (VBR)
FHD 1920×1080 59.94p/50.00p 100M: Average 100Mbps (VBR)
FHD 1920×1080 29.97p/25.00p/23.98p/59.94i/50.00i 50M: Average 50Mbps (VBR) |
MP4 (HEVC) |
[4:2:0 10bit] UHD 3840×2160 59.94p/50.00p HEVC 100M: Average 100Mbps (VBR)
UHD 3840×2160 29.97p/25.00p/23.98p HEVC 72M: Average 72Mbps (VBR) |
MP4 |
[4:2:0 8bit] UHD 3840×2160 29.97p/25.00p/23.98p 72M: Average 72Mbps (VBR)
FHD 1920×1080 59.94p/50.00p/23.98p 50M: Average 50Mbps (VBR) |
AVCHD |
[4:2:0 8bit] PS 1920×1080 59.94p/50.00p: Average 25Mbps (VBR)
PH 1920×1080 59.94i/50.00i/23.98p: Average 21Mbps (VBR)
HA 1920×1080 59.94i/50.00i: Average 17Mbps (VBR)
PM 1280×720 59.94p/50.00p: Average 8Mbps (VBR) |
P2 |
— |
LIVE STREAMING |
Video Compression Format |
H.264/MPEG-4 AVC Main Profile, High Profile |
Video Resolution |
1920 x 1080 (FHD), 1280 x 720 (HD), 640 x 360, 320 x 180 |
Streaming Method |
Unicast, Multicast |
Frame Rate |
System frequency = 59.94 Hz: 30 fps, 60 fps
System frequency = 50.00 Hz: 25 fps, 50 fps |
Bit Rate |
24 Mbps, 20 Mbps, 16 Mbps, 14 Mbps, 8 Mbps, 6 Mbps, 4 Mbps, 3 Mbps, 2 Mbps, 1.5 Mbps, 1 Mbps, 0.7 Mbps, 0.5 Mbps |
Audio Compression Format |
AAC-LC, 48 kHz/16 bit, 2ch |
Network Protocol |
RTSP/RTP/RTMP/RTMPS |
STILL IMAGE SECTION |
Recording Format |
JPEG (DCF/Exif2.2) |
Recording Image Size* |
Video Playback Mode: 3840 x 2160 (16:9), 1920 x 1080 (16:9), 1280 x 720 (16:9) |
GENERAL SECTION |
Power Supply |
7.28V (Battery) / 12V (AC Adaptor) |
Power Consumption |
15.5W (LCD Monitor) |
Dimensions (W x H x D) |
Approx. 129 x 159 x 257 mm (5.08 x 6.26 x 10.1 inch) |
Weight |
Body: approx. 0.9kg (1.98 lb) (body only, excluding handle, lens hood, battery, and accessories)
Shooting: approx. 1.5kg (3.31 lb) (including handle, lens hood, battery, and eyecup) |
LCD Monitor |
8.88 cm (3.5-inch) Wide LCDÂ monitor (About 2,760,000 dots) (For Europe)
3.5-inch Wide LCDÂ monitor (About 2,760,000 dots) (For North America / Asia) |
Viewfinder |
0.61 cm (0.24-inch) Wide EVF (About 1,560,000 dots) (For Europe)
0.24-inch Wide EVF (About 1,560,000 dots) (For North America / Asia) |
Manual Ring |
Focus / Zoom or Iris |
Accessory Shoe |
Yes |
LED Video Light |
Average Illumination |
Approx. 70 lx (1.0m) |
Irradiation Angle |
Approx. 30° |
Color Temperature |
Approx. 4600K |
INTERFACE SECTION |
Video |
SDI OUT |
BNC x 1, 0.8V[p-p], 75Ω, 3G/1.5G HD-SDI supported
Output format:
1080/59.94p LEVEL-A/50.00p LEVEL-A, 1080/29.97PsF/25.00PsF/23.98PsF, 1080/59.94i/50.00i, 720/59.94p/50.00p |
HDMI |
Type A x 1 (VIERA Link not supported)
Output format:
2160/59.94p/50.00p/29.97p/25.00p/23.98p,
1080/59.94p/50.00p/29.97p/25.00p/23.98p/59.94i/50.00i,
720/59.94p/50.00p, 480/59.94p, 576/50.00p |
Audio Input |
Built-in Microphone |
Stereo microphone |
Microphone Input |
3.5mm stereo mini jack x 1 |
XLR Input |
XLR (3 pins) x 2
Input high impedance, LINE/MIC/MIC+48 V (switchable SW)
LINE:+4dBu/0dBu (switchable menu)
MIC: –40dBu/–50dBu/–60dBu (switchable menu) |
Audio Output |
SDI |
2 ch (LPCM) Gain: 0dB/-6dB/-8dB |
HDMI |
2 ch (LPCM 24bit) |
Headphone |
3.5 mm diameter stereo mini jack x 1 |
Speaker |
15 mm diameter, round x 1 |
Other Input/Output |
Camera Remote |
2.5mm super mini jack x 1 |
USB 2.0 HOST |
— |
USB 2.0 DEVICE |
Micro-AB connector, 5-pin, mass storage function (read only) |
DC IN |
DC 12V (11.4V ― 12.6V) EIAJ Type4 |
Wi-Fi |
Standard |
IEEE 802.11b/g/n |
Frequency |
2.4GHz band |
STANDARD ACCESSORY |
AC Adaptor |
Yes |
AC Cable |
Yes |
Rechargeable Battery Pack |
Yes (5,900mAh) |
Handle Unit |
Yes (detachable) |
Battery Charger |
— |
IR Remote |
— |
HDMI Cable |
— |
AV Cable |
— |
USB HOST Conversion Cable |
— |
USB Ethernet Adaptor |
— |
Microphone Holder |
Yes |
Microphone Holder Screws |
Yes |
Input Terminal Cap |
— |
Eye Cup |
Yes |
Lens Hood |
Yes |
Editing Software |
— |
Chan Ali –
Design and Build Quality
The HC-X2000 boasts a sleek and compact design, making it a portable companion for videographers on the move. Crafted with durable materials, its ergonomic build ensures comfortable handling during prolonged shooting sessions. The layout of buttons and controls is intuitive, allowing for quick access and effortless adjustments while filming.
Image and Video Quality
Equipped with a high-performance LEICA Dicomar lens and a large 1/2.5-inch sensor, the HC-X2000 delivers exceptional image clarity and vivid colors. Its ability to capture 4K 60p video at a professional level ensures stunning visual output, whether shooting fast-paced action sequences or intricate details in low-light environments.
Optical Zoom and Image Stabilization
One of its standout features is the 24x optical zoom capability, providing versatility in capturing distant subjects without compromising image quality. Additionally, the camcorder incorporates advanced image stabilization technology, minimizing shaky footage even at extended zoom ranges.
4K 60p Mobile Recording
The Panasonic HC-X2000 excels in mobile recording, allowing videographers to capture high-resolution 4K footage at 60 frames per second. This feature is particularly advantageous for dynamic shooting scenarios, providing crisp and smooth video playback.
Live Streaming Capability
An added advantage of this camcorder is its live streaming functionality. With built-in Wi-Fi connectivity, content creators can stream events or videos in real-time, expanding their reach and engaging audiences across various platforms effortlessly.
Audio Features
Complementing its exceptional video capabilities, the HC-X2000 features high-quality audio recording with two-channel XLR audio inputs. This enables users to capture immersive soundscapes and crystal-clear audio to complement their video content.
User Interface and Controls
The camcorder’s user interface is designed for ease of navigation, offering a user-friendly menu system and customizable settings. The responsive touchscreen display simplifies operation, allowing users to focus more on the creative process and less on technical complexities.
Connectivity Options
In addition to Wi-Fi, the HC-X2000 offers a range of connectivity options, including HDMI and USB-C ports, facilitating seamless data transfer and connectivity with external devices for efficient workflow management.
Battery Life and Portability
Despite its powerful features, the camcorder maintains a commendable battery life, ensuring extended shooting sessions without frequent interruptions. Its lightweight and compact design further enhance its portability, making it an ideal choice for on-the-go videographers.
Comparison with Competing Camcorders
When compared to similar camcorders in its class, the Panasonic HC-X2000 stands out due to its combination of superior image quality, versatile features, and user-friendly design, making it a compelling choice for professional videographers.
Peter ong –
Embracing my initial foray into the videography realm, I find profound satisfaction in utilizing the compact Panasonic HXC-2000 handheld camera. This cost-effective gem not only aligns seamlessly with my novice status but also boasts professional-grade audio and video recording features. The quality it delivers is not only acceptable but also meets the discerning standards set by my clients, making it a valuable companion in my journey as a beginner in the videography industry.
KK Goh –
Intriguingly innovative, this camera has left an indelible impression on me. Operating a petite production company specializing in capturing weddings and dance recitals, I’ve extensively employed various Sony models such as A7Sii, FS700, and NX100. However, the quest for swift operability and user-friendly features led me to explore beyond the Sony lineup. Despite initial hesitations, I opted for an alternative, and the outcome has been remarkably satisfactory.
Commendable Aspects:
The chromatic rendition is splendid, boasting excellent image quality. The inclusion of xLR audio inputs and the built-in light adds considerable value. The internal image stabilization functions seamlessly, ensuring steady and smooth zooming. The capability for 4K 60 422 proves to be an extraordinary asset, offering flexibility for slow-motion footage and simplified color grading.
Drawbacks:
Unsurprisingly, given its compact sensor, the susceptibility to grain in low-light conditions is discernible. Consequently, optimal performance demands supplemental lighting or an outdoor shooting environment.
Additionally, investing in higher-speed memory cards becomes imperative. My initial 170mbs Sandisk Extreme Pros proved inadequate, necessitating the acquisition of the pricier 300mps cards to effectively film in 4K 60 422 using HVEC encoding. Although each card incurs a substantial cost of $200, their indispensability for optimal functionality justifies the investment.
In Conclusion:
Earning an unequivocal 5-star rating, especially considering its price point and its alignment with my specific needs, this camera has proven itself invaluable in my professional pursuits. Contemplating the acquisition of a second unit to facilitate dual-angle coverage during events seems like a plausible and promising future endeavor.
Jen –
Nothing to say negative about this camera. Unbelievable good auto focus. Great for sports filming. I’m very happy with it! Highly recommended!