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Sony ILME-FR7 Full-Frame PTZ Camera for Cinematic Productions

Product Highlights

  • World’s first Full-frame interchangeable lens camera
  • RTSP / SRT IP streaming
  • S-Cinetone for a cinematic look without grading
  • Dual Base ISO for cleaner images in low light
  • Compatible with 70 E-mount lens
SKU: ILME-FR7 Category:
Description
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Sony ILME-FR7 Cinema Line Full-Frame PTZ Robotic Interchangeable Lens Camera

The Sony ILME-FR7 provides smooth pan, tilt, and zoom (PTZ) control coupled with a full-frame image sensor and compatibility with the high-quality E-mount lens line-up. A variety of focal lengths and shallow depth of field provide creative freedom and combine with remote PTZ control capability to open a new world of creative potential.

Cinema Line image quality

The FR7’s “Cinema Line” name identifies it as part of a renowned line-up of creative tools designed to unleash the true power of visual storytelling. It provides Custom and Cine EI modes that adjust camera operation to your workflow while maintaining consistency with other Cinema Line cameras.

Staggering latitude for a powerful expression

The Sony ILME-FR7 offers a wide 15+ stop latitude to prevent blown highlights and crushed shadows. In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions.

Outstanding Image Quality in Low Light

Sony FR7 Cinema Camera Outstanding Image Quality

The Sony ILME-FR7 offers cleaner images in low light by taking full advantage of the sensor’s size and high sensitivity. ISO can be expanded as far as ISO 4096008 when shooting in extremely low light conditions, such as live concerts.

Slow motion for extensive creative possibilities

Smooth 5x slow motion provides extensive creative possibilities, making every moment clearer and more dramatic. The FR7 allows internal slow-motion capture at up to 120 fps9 in 4K10 resolution and up to 240 fps in full HD.

4K 60p 4:2:2 10-bit output

The Sony ILME-FR7 supports clean, high-quality output via its HDMI and SDI OUT connectors. This makes it possible to record Apple ProRes 422 or Avid DNxHR®11 in 4K 60p 4:2:2 10-bit format with compatible external recorders via an HDMI or SDI cable.

Remote control for creative camera placement

Sony FR7 Remote control Mounted On The Ceiling

With its integrated, remotely controllable pan and tilt mechanism, the FR7 can be mounted on the ceiling or in other out-of-the-way locations. Follow your subjects or instantly recall pre-composed shot framings for unprecedented creative potential.

Innovative Remote Control

sony FR7 Camera Innovative Remote Control

With a newly developed Web App that enables easy access via QR code or URL input, you can set up the FR7 from a tablet or a PC through a web browser. You can also use the optional RM-IP500 for precise joystick-controlled pan, tilt, and zoom operation. Speed adjustment knobs let you set the speed of pan, tilt, zoom, and focus operations suitable for the subject and setting. Zoom can be controlled either via the joystick or a seesaw lever.

Advanced Technology for Cinematic Expression

Sony FR7 Full-Frame Sensor and BIONZ XR

Bearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35 mm full-frame CMOS image sensor for the first time in a pan, tilt, and zoom (PTZ) camera. Also, the BIONZ XR contributes to superb image quality with high sensitivity, smooth gradations, and true-to-life color.

Express your vision with E-mount lenses

Sony FR7 With E-mount lenses

The FR7 features Sony’s E-mount and can be used with all E-mount lenses. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm6 gives you comprehensive creative control.

Lens support rods

Sony FR7 Camera Lens Rods

Two lens rods provided below the camera head allow attachment of standard 15-mm rod-mountable accessories.

Explore the possibilities with remote PTZ

Smooth pan, tilt, and zoom operation Capture the scene from any angle

The FR7 incorporates smooth pan, tilt, and zoom3 functionality that can be remotely controlled or recalled to preset positions. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195° when used in normal upright orientation.

A full-featured dedicated Web App

With a new dedicated Web App, you can use a tablet or a computer’s web browser1 to pan, tilt, zoom, focus, record, and adjust all camera settings. You can access cameras in hard-to-reach locations with easy setup using each camera’s unique QR code. The Web App uses the same menu format as the FX6 for intuitive operation.

Multi-camera shooting

The FR7 supports multi-camera production with just a small staff. It can be mounted on a tripod, on the ceiling, or in limited-access locations so that subjects can be unobtrusively followed and recorded from a range of viewpoints. A single RM-IP5002 remote control unit can be used for a setup of up to 100 FR7 cameras (10 groups of 10 cameras).

Electronic Variable ND Filter for smooth remote operation

Sony’s built-in continuously variable electronic ND (neutral density) filter allows exposure control at a distance for smooth operation in a remote setup. It allows seamless ND adjustment from 1/4 to 1/128 to control exposure remotely—and even automatically—allowing control of depth of field while maintaining consistent exposure.

Breathing compensation

The FR7 includes a breathing compensation function that minimizes unwanted changes in the angle of view for better-looking focus transitions. With compatible lenses, the angle of view is automatically kept consistent even when focusing, making it possible to achieve smooth and dramatic focusing effects.

Connectivity to match creative workflows

Outstanding connectivity

The FR7 provides excellent connectivity for video output, IP streaming, and synchronization with other devices. HDMI video output can be used for real-time monitoring, while SDI video output delivers a RAW signal to an external recording device. Camera control, video and audio transfer, and power supply can be carried out via a single LAN cable.

Connecting to external devices

Easily connect to external devices to provide timecode synchronization, control tally light signals, and coordinate synchronization signals in multi-camera setups.

Power supply

LAN and PoE++ connector

The FR7 can be powered with an external PoE++ (Power over Ethernet Plus Plus17) device via a standard network cable (CAT5e or higher), eliminating the need for separate power supply cabling.

DC IN connector

If not using PoE++, the supplied AC adaptor connects to the FR7’s “DC IN” connector to power the unit. The cord clamp on the rear panel of the FR7 can be used to prevent the power cable from being accidentally unplugged.

IP streaming made it easy

RTSP streaming allows video output from one camera to be simultaneously distributed to up to five viewers. SRT enables high-quality, low-latency video transfer even in unstable network conditions. And NDI|HX14 connects to NDI-compatible devices such as switchers and media servers, supporting efficient live video production using Internet protocols.

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Sony ILME-FR7 Cinema Line PTZ Camera

Features
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  • World’s first Full-frame interchangeable lens camera with pan/tilt/zoom (PTZ) functionality
  • Remotely controlled pan, tilt, and zoom mechanism with up to 100 camera presets
  • Compatible with 70 E-mount lenses ranging from 12mm to 1200mm, including power zoom models
  • Web App for control by tablet or PC via web browser or with RM-IP5005 for precise joystick control
  • High sensitivity up to ISO 409,600 and 15+ stop dynamic range, selectable 800 or 12800 base ISO
  • In-camera Slow & Quick motion from 1 fps up to 120 fps 4K (QFHD) / 240 fps FHD
  • Fast Hybrid AF with 627 phase-detection AF points and Real-time Eye-AF
  • Remotely controllable continuously variable electronic ND filter (1/4 to 1/128)
  • Custom and Cine EI mode shooting modes to match creative workflows
  • Professional connectivity: up to 12G SDI, HDMI A, XLR input, TC, GENLOCK
  • 4:2:2 10-bit XAVC-I (Intra), XAVC-L (Long GOP), and 16-bit RAW output
  • S-CinetoneTM for rich cinematic images right out of the camera
  • Picture Profiles incl. HLG, S-Log3 w/S-Gamut3, S-Gamut3.Cine
  • Breathing Compensation suppresses unintended image shifts
  • Remote/multi-camera shooting opens up a new world of expression
  • Up to 100 programmable quick-access preset positions
  • 12G SDI BNC output/ HDMI type A video output
  • optical output connector for low-loss transfer over long distances
  • XLR 5-pin 2-channel audio input connector
  • Professional connectivity with TC input, GENLOCK, and Option connectors
  • RTSP / SRT IP streaming
  • Tally lights facilitate multi-camera operation
  • 2x card slots, both compatible with CFexpress Type A, SDXC UHS-I/II
  • Dedicated accessory ceiling mount bracket CIB-PCM
Specifications
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General

  • Operating Temperature: 32 °F to 104 °F
  • Storage Temperature: -4 °F to +140 °F
  • Mass: Approx. 6.0 kg (with SELP28135G LENS) Approx. 13 lb. 3.6 oz. (with SELP28135G LENS)
  • Dimensions (W x H x D): Approx. 227 x 289 x 233 mm (body without protrusions) Approx. 9 x 11 1/2 x 9 1/4 inch (body without protrusions)
  • Power Requirements: DC 19.5 V
  • Power Consumption: ≦71.3 W(PoE++)
  • Ceiling Mount: Yes (with Ceiling Bracket option)
  • Tally Ramp: Left(x1)/Right(x1), Red/Green
  • Recording Format (Video): [XAVC Intra] XAVC-I DCI4K 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 50p mode: VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 24p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 23.98p mode: V BR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 50p mode: VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 23.98p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 59.94p mode: CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 50p mode: CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 29.97p mode: C BG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 25p mode: CBG, MAX bit rate 112 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 23.98p mode: CBG, MAX bit rate 89 Mbps, MPEG-4 AVC/H.264 [XAVC Long] XAVC-L QFHD 29.97p/25p/23.98p mode: VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC XAVC-L QFHD 59.94p/50p mode: VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode: VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode: VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
  • RECORDING FORMAT (AUDIO): LPCM 24 bits, 48 kHz, 4 channels
  • Recording Frame Rate: [XAVC Intra] XAVC-I DCI4K mode: 4096 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p, 24p XAVC-I QFHD mode: 3840 x 2160/59.94p, 50P, 29.97p, 23.98p, 25p XAVC-I HD mode: 1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p [XAVC Long] XAVC-L QFHD mode: 3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p XAVC-L HD 50 mode: 1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p XAVC-L HD 35 mode: 1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p
  • Recording/Playback Time: [XAVC Intra] XAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB), Approx. 30 minutes When using CEA-G80T (80 GB), Approx. 15 minutes XAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB), Approx. 36 minutes When using CEA-G80T (80 GB), Approx. 17 minutes XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160 GB): Approx. 60 minutes When using CEA-G80T (80 GB), approximately. 29 minutes XAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB): Approx. 71 minutes When using CEA-G80T (80 GB), approximately. 35 minutes XAVC-I DCI4K 24p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB), approximately. 36 minutes XAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB), approximately. 36 minutes XAVC-I HD 59.94p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB), approximately. 38 minutes XAVC-I HD 50p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB), Approx. 38 minutes XAVC-I HD 29.97p When using CEA-G160T (160 GB): Approx. 150 minutes When using CEA-G80T (80 GB), Approx. 74 minutes XAVC-I HD 25p When using CEA-G160T (160 GB): Approx. 150 minutes When using CEA-G80T (80 GB), Approx. 74 minutes XAVC-I HD 23.98p When using CEA-G160T (160 GB): Approx. 185 minutes When using CEA-G80T (80 GB), Approx. 91 minutes [XAVC Long] XAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB): Approx. 170 minutes When using CEA-G80T (80 GB), Approx. 86 minutes XAVC-L QFHD 59.94p/50p When using CEA-G160T (160 GB): Approx. 115 minutes When using CEA-G80T (80 GB), Approx. 57 minutes XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB): Approx. 320 minutes When using CEA-G80T (80 GB), Approx. 155 minutes XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB): Approx. 430 minutes When using CEA-G80T (80 GB), Approx. 210 minutes
  • Recording Format (Proxy Audio): XAVC Proxy: AAC-LC, 128 kbps, 2 channels
  • Recording Format (Proxy Video): XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920 x 1080, 9 Mbps

Camera Section

  • SHUTTER SPEED: 64 frames to 1/8000 sec
  • BUILT-IN OPTICAL FILTERS: Clear, linear variable ND (1/4ND to 1/128ND)
  • Imaging Device (Type): 35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
  • Number of Pixels (total): Approx. 12.9 megapixels
  • Number of Pixels (Effective): Approx. 10.3 megapixels
  • ISO Sensitivity: ISO 800/12800 (Cine EI mode, D55 Light source)
  • Focus Type: Fast Hybrid AF (phase-detection AF / contrast-detection AF)
  • FOCUS POINT: 627
  • Focus Area: Wide / Zone / Flexible Spot
  • OTHER FOCUS FEATURES: Real-time Tracking AF
  • Output Format / SDI: 4096 x 2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840 x 2160 / 59.94p, 50p, 29.97p, 25p, 23.98p, 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p, 29.97PsF, 25PsF
  • Output Format / HDMI: 4096 x 2160 / 59.94p, 50p, 29.97p, 25p, 24p, 23.98p, 3840 x 2160 / 59.94p, 50p, 29.97p, 25p, 23.98p, 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p, 720 x 480 / 59.94p, 720 x 576 / 50p
  • Clear Image Zoom: QFHD/4K: 1.5x, HD: 2x
  • Slow and Quick Motion Function: XAVC-I/L 3840 x 2160 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98) 1920 x 1080 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98)
  • White Balance: Preset, Memory A(2000K-15000K)/ATW
  • Gain: -3 to 30 dB (every 1dB), AGC
  • GAMMA CURVE: SDR Mode (S-Cinetone, Standard, Still, ITU709) HDR mode : HLG_Live, HLG_Natural
  • LATITUDE: 15+ stop

Pan-Tilt Section

Pan/Tilt Angle

  • Tilt: -30 deg. ~195 deg.

Pan/Tilt Speed

  • Tilt: 0.02 deg. to 60 deg
  • Quietness: NC35 or less
  • Preset Position: 100

Network Streaming

  • Protocols IPv6: TCP, UDP, ICMPv6, HTTP, HTTPS, DHCPv6, DNS, mDNS, RTP/RTCP, RTSP, SRT, FTP, FTPS
  • Protocols IPv4: TCP, UDP, ARP, ICMP, HTTP, HTTPS, DHCP, DNS, mDNS, RTP/RTCP, RTSP, VISCA over IP, SRT, NDI|HX, FTP, FTPS
  • Video Resolution: 4096 x 2160, 3840 x 2160, 2048 x 1080, 1920 x 1080, 1280 x 720, 640 x 360
  • Compression Format: H.264: High/Main/Baseline Profile H.265: Main/Main10 Profile
  • Maximum Frame Rate: H.264: 59.94fps H.265: 59.94fps
  • Bitrate Control Mode: CBR/VBR
  • NDI|HX capability: Yes Option
  • Range of Bitrate Setting: 512 Kbps~80 Mbps

Web App

  • Supported operation systems / Windows: Windows 10 or later
  • Supported operation systems / Mac: macOS 10.15 or later
  • Supported operation systems / iPad: iPadOS 15 or later
  • Supported operation systems / Android: Android 12 or later
  • Supported web browsers / Windows: Google Chrome
  • Supported web browsers / Mac: Google Chrome、Safari
  • Supported web browsers / iPad: Google Chrome、Safari
  • Supported web browsers / Android: Google Chrome

Media

  • type: CFexpress Type A / SD card (x2)

Accessibility

  • Screen Reader: Yes (Language: English, Speed: 7 steps, Volume:15 steps)

Input/Output

  • AUDIO INPUT: XLR-type 5-pin (female) (x1), line/mic/mic +48 V selectable Mic Reference: -30 to -80 dBu
  • SDI OUTPUT: BNC (x1), 12G-SDI, 6G-SDI, 3G-SDI(Level A/B), HD-SDI
  • HDMI OUTPUT: Type-A connector(x1)
  • Genlock Input: BNC (x1), 1.0 Vp-p, 75 Ω
  • Optical Output: SFP+-compliant video is the same as SDI, video output only
  • DC INPUT: DC jack(x1)
  • Network: RJ-45(LAN) (x1), 1000BASE-T
  • Remote Control: RJ-45(OPTION) (x1) Red Tally IO/Green Tally IO
  • IR Remote Control: Yes
  • TC INPUT/TC OUTPUT: BNC (x1), TC IN only

Lens

  • Lens mount: E-mount

Size & Weight

  • QTY of Sub-carton per Master Carton: 1
  • Product weight lbs (kg): 10.34 lbs. (4.7 kg) Camera
  • Product Dimension (L*W*H) inch (mm): 8.94 x 11.3 x 9.17” (227 x 287 x 233 mm) – Camera without protrusions
  • Sub-Carton Gross weight lbs. (kg): 16.2 lbs (7.35 kg)
  • Sub-Carton Dimension (L*W*H) inch/mm: 12.4” x 10.63” x 11.81” (315 x 270 x 300 mm)
  • Master Carton Gross weight lbs. (kg): 16.2 lbs (7.35 kg)
  • Master Carton Dimension L*W*H in (mm): 12.4” x 10.63” x 11.81” (315 x 270 x 300 mm)
Delivery Info
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