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Sony ILME-FX30 Digital Cinema Camera
SGD 2,603.00 – SGD 3,041.40 excl. Tax excl. Tax
- 4K 20.1MP Back-Illuminated APS-C sensor
- UHD up to 120p
- Claimed 14+ stops of DR
- AF with face detection and Eye-AF
- UHD 4:2:2 10-bit internal recording
- S-Cinetone
- External RAW recording with Atomos Ninja V/V+
- HD up to 240 fps
- Four channels of audio recording
- Full-Size HDMI
- 5-axis in-body stabilization
Weight | N/A |
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Choose Product Variant |
ILME-FX30B ,ILME-FX30 |
Sony ILME-FX30 Compact Cinema Line gateway camera
Sony ILME-FX30 makes filmmaking more accessible than ever for up-and-coming creators. Compact and light in weight, the Sony FX30 can be operated in combination with gimbals and drones, or with a variety of attached equipment. It’s designed to withstand long shoots, with sturdy construction suited to harsh conditions.
Support for filmmaking
The Sony ILME-FX30 captures stunning images with 6K oversampling and a truly cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilisation features let you concentrate on composition, not the complexity of crews and rigging.
Designed for visual storytelling
The ILME-FX30’s S-Cinetone picture profile gives you a beautiful cinematic look straight out of the camera. Features like Dual Base ISO and Cine EI are designed to provide gorgeous images for cinematic shooting and workflow.
Drawing on the Cinema Line heritage
Film industry experience allied with state-of-the-art imaging technology
The outstanding Cinema Line series of cinema cameras is built on decades of experience in the film industry and supported by Sony’s sophisticated new technologies on the cutting edge of digital imaging.
Beautiful imagery Advanced technology for outstanding resolution
Sony ILME-FX30 back-illuminated Exmor R APS-C CMOS sensor captures memorable imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR processing engine enables natural gradations, realistic colour reproduction, low noise, and other image quality improvements.
S-Cinetone gives you a cinematic look without grading
The S-Cinetone picture profile provides cinematic-looking colour, skin tones and other visual aspects straight out of the camera, without the need for any post-production colour grading.
For production colour matching, and to access the full capabilities of the image sensor, the ILMEFX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30’s expansive colour gamut and 14+ latitude, for true cinematic image quality during post-production colour grading.
User LUTs provide an accurate image preview
Customisable LUTs, both preset and user-supplied, can be applied to the ILME-FX30’s LCD monitor and HDMI output to give you a better and more accurate idea of what your final image will look like
10-bit 4:2:2 recording for greater editing latitude
The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more colour information so you can produce fuller, more natural gradations in post-production.
Flexible exposure mode handling
Cine EI offers wide latitude and the highest possible image quality, while Cine EI Quick simplifies setup by automatically switching the camera’s base ISO. Flexible ISO provides the greatest flexibility for exposure settings.
Reliable AF maintains a steady focus
The Sony FX30 provides stable AF and flexible focusing for a wide range of shooting situations. Wide-area AF provides tenacious subject tracking across almost the entire frame, with Real-time Tracking based on Sony’s unique, AI-based subject recognition. Real-time Eye AF ensures precise focus on the face and eyes, tailored to humans, birds and animals.
In-body image stabilisation for hand-held shooting
Active Mode is a 5-axis image stabilisation mode that uses a precision gyroscope sensor and optical compensation, enabling hand-held shooting at 4K resolution without a gimbal.
Three thread holes in the XLR handle unit for accessories
External monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers, or other add-ons can be stably and securely attached to the FX30’s XLR handle unit.
Reliable operation for long shoots at 4K
With its highly efficient cooling system and stable power supply (from a high-capacity Z battery or via USB PD 10 ), the FX30 is designed to keep working reliably over extended shoots.
Durable magnesium alloy chassis
The main body and covers of the FX30 are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.
Streamlined operational control
Quick access to frequently used features
While shooting, you can access frame rate, shutter speed, and other essential shooting parameters via a list-style main menu. Display of the main menu can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate main menus optimised for movies and stills are provided.
Two CFexpress Type A and SD card-compatible media slots
CFexpress Type A is the next standard for compact storage, with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.
Flexible high-resolution touch-panel LCD monitor
A side-opening vari-angle rear monitor allows broad positioning and framing freedom. It’s bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.
Broad connectivity in a compact body
An HDMI Type-A connector can be used for external recorders and display devices. Other connectors include USB Type-C, Multi/Micro-USB, mic, headphones, and a Multi Interface Shoe with a built-in digital audio interface.
16-bit RAW output via HDMI
For demanding workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.
One Mount: connect seamlessly with E-mount
The One Mount concept is based on Sony’s E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, so you can choose the right lens for any situation.
Choose your audio input source
The FX30’s XLR handle unit includes two XLR audio inputs, enabling quick and easy connection to a variety of external XLR microphones to capture a high-quality audio track.
The FX30 records a wealth of metadata for use with Sony’s Catalyst Browse Prepare application, including camera shake, camera rotation, breathing compensation, embedded LUTs and shot marks.
Environmental measures with the FX30
The SORPLAS material used in the construction of the FX30 is repeatedly recyclable, durable, oil resistant, and of high quality. Other recyclable materials are also used for our camera bodies as much as possible, reducing stress on the environment without compromising performance or functionality in any way.
Note: Cameras from the same family
Sony ILME-FX3
Sony ILME-FX6
Sony PXW-FX9
Sony PXW-FS7K
Also read here the Sony 4K handheld cameras
- Memorable imagery from the Exmor R CMOS sensor
- S-Cinetone for a cinematic look without grading
- Recording formats for image quality and post-production
- Dual Base ISO for cleaner images in low light
- Log recording for smooth cinematic colour grading
- New Log shooting modes for optimised image quality
- Dependable, highly accurate autofocus
- Sophisticated focus functions to handle any situation
- Flexible motion with up to 4K / 120p recording
- Active Mode image stabilisation supports handheld movie shooting
- Metadata to facilitate editing with Catalyst
- Proxy recording for efficient editing workflow
- Multi-thread body makes a cage unnecessary
- Still image shooting function
- Flexible, high-resolution touch-panel LCD monitor
- Tally lamps
- Movie standby screen
- Broad connectivity for a wide range of shooting needs
- XLR connectors for high-quality external audio input
- Vertical aspect markers
- Time code sync
- 16-bit RAW output via HDMI
- Two CFexpress Type A compatible media slots
- Designed to resist dust and moisture
- Uninterrupted 4K 60p recording
- Imaging Edge Mobile
Specifications | |
Model | Body + XLR Handle Unit ILME-FX30 |
General | |
CAMERA TYPE | Interchangeable lens digital camera |
LENS MOUNT | E-mount |
Size & Weight | |
WEIGHT (MAIN UNIT ONLY) (APPROX.) | 646 g (1 lI10:L10b 6.8 oz) (with battery and memory card included), 562 g (1 lb 3.8 oz) (body only) |
WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (APPROX.) | 951 g (2 lb 1.5 oz) (with XLR Handle, battery and memory card included) |
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.) | 129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions) |
Power | |
POWER CONSUMPTION | [Movie] Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached), [Still image] Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached) |
BATTERY OPERATING TIME | Approx. 115 min (Actual recording, CIPA standard) Approx. 175 min (Continuous recording, CIPA standard) Approx. 570 shots (still images, CIPA standard) |
Operation | |
OPERATING TEMPERATURE | 0°C to 40°C, 32°F to 104°F |
STORAGE TEMPERATURE | -20°C to +55°C, -4°F to +131°F |
Recording Format (Video) | |
XAVC HS | [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265 |
XAVC S | [XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, |
XAVC S-I | [XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264, |
Recording Format (Audio) | |
RECORDING FORMAT (AUDIO) | LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit), MPEG-4 AAC-LC 2ch |
Recording Frame Rate | |
XAVC HS | [XAVC HS 4K] 3840×2160/119.88p, 100p, 59.94p, 50p, 23.98p |
XAVC S | [XAVC S 4K] 3840×2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920×1080/59.94p, 50p, 29.97p, 25p, 23.98p |
XAVC S-I | [XAVC S-I 4K] 3840×2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920×1080/59.94p, 50p, 29.97p, 25p, 23.98p, |
Recording/Playback Time | |
XAVC HS | [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes |
XAVC S | [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes |
XAVC S-I | [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes |
PROXY AUDIO | XAVC Proxy: AAC-LC, 128kbps, 2 channels |
PROXY VIDEO | 1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps) |
RAW Output | |
RAW OUTPUT | HDMI: 4672 x 2628 (59.94p/50p/29.97p/25p/23.98p), 16bit |
Other Video Function | |
VIDEO FUNCTIONS | Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector |
Camera Section | |
SENSOR TYPE | APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor |
PIXELS | Approx. 20.1 megapixels (effective) for movies, Approx. 26.0 megapixels (effective) for Still images, Approx. 27.0 megapixels (total) |
SENSITIVITY | [Movie] ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit) [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit |
SHUTTER SPEED | [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec |
Slow & Quick Motion | |
XAVC HS | XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fp, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps |
XAVC S | XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps |
XAVC S-I | XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps[NF_39], XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps |
White Balance | |
WHITE-BALANCE MODES | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom |
Gamma | |
GAMMA CURVE | Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
LATITUDE | 14+ stop (S-Log3) |
Focus System | |
TYPE | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
FOCUS POINT | [Movie] 495 points (phase-detection AF), [Still image] 759 points (phase-detection AF) |
SENSITIVITY RANGE | EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached) |
FOCUS MODE | [Movie] AF-C (Continuous AF), MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
FOCUS AREA | [Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking |
OTHER FOCUS FEATURES | Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (APS-C: 6.1x / 12.1x) |
Exposure Control | |
METERING SENSITIVITY | EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) |
EXPOSURE MODES | [Movie] [Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) |
Recording (Still image) | |
RECORDING FORMAT | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant) |
IMAGE SIZE | Image size [3:2] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [4:3] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [16:9] L: 6192 x 4128 (26M)、 M: 4384 x 2920 (13M)、 S: 3104 x 2064 (6.4M) [1:1] L: 4128 x 4128 (17M)、 M: 2912 x 2912 (8.5M)、 S: 2064 x 2064 (4.3M) |
Playback | |
PLAYBACK FUNCTIONS | Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills) |
Interface | |
TC INPUT/TC OUTPUT | Multi/Micro USB, TC IN |
AUDIO INPUT | 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack) |
USB | USB Type-C (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1) |
HEADPHONE OUTPUT | Yes (3.5 mm Stereo minijack) |
SPEAKER OUTPUT | Built-in, monaural |
HDMI OUTPUT | HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit |
MULTI INTERFACE SHOE | With Digital Audio Interface |
BLUETOOTH | Bluetooth Standard Ver. 5.0 (2.4GHz band)) |
Media | |
MEDIA TYPE | CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy |
Monitoring | |
LCD | 7.5 cm (3.0-type), Approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg. |
Built-in Microphone | |
BUILT-IN MICROPHONE | Built-in, stereo |
File System | |
FILE SYSTEM | FAT12, 16, 32, exFAT |
Zoom | |
ZOOM FUNCTION | Zoom ring rotate, Clear Image Zoom([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x ), Digital zoom([Movie] Approx. 4x [Still image] L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x), Smart zoom([Still image] M: Approx. 1.4x, S: Approx. 2x) |
Still image function | |
TYPE | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) |
MODE | [Movie] Active / Standard / Off, [Still image] On / Off |
COMPENSATION EFFECT (STILL IMAGES) | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T FE 50mm F1.4 ZA lens mounted.) |
Custom Function | |
CUSTOM FUNCTION | Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set |
Lens Compensation | |
LENS COMPENSATION | Peripheral Shading, Chromatic Aberration, Distortion |
Wi-Fi/NFC | |
SUPPORTED FORMAT | IEEE 802.11a/b/g/n/ac |
FREQUENCY BAND | 2.4 GHz band/5 GHz band |
SECURITY | WEP/WPA-PSK/WPA2-PSK |
FTP Transfer | |
FTP TRANSFER | Wired LAN (USB-LAN), USB Tethering, Wi-Fi |
Supplied Accessories | |
SUPPLIED ACCESSORIES | AC adapter Accessory shoe cap Body cap Handle shoe cap Power cord Rechargeable Battery NP-FZ100 USB-A to USB-C cable (USB 3.2) XLR handle unit |
ILME-FX30 with XLR Handle Unit:
- AC adapter
- Accessory shoe cap
- Body cap
- Handle shoe cap
- Power cord
- Rechargeable Battery NP-FZ100
- USB-A to USB-C cable (USB 3.2)
- XLR handle unit
ILME-FX30B (Body only):
- AC adapter
- Accessory shoe cap
- Body cap
- Power plug adapter
- Rechargeable Battery NP-FZ100
- USB-A to USB-C cable (USB 3.2)
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