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Sony PXW-FX9 / PXW-FX9K 6K Sensor Full-Frame Camera System
SGD 15,067.26 – SGD 18,492.26 excl. Tax excl. Tax
- 6K Full-Frame Exmor R CMOS Sensor
- A vast dynamic range of 15 stops, delivering dynamic HDR
- Support for DCI 4K and UHD 4K video capture at speeds up to 60 frames per second
- Quad Full HD recording at a remarkable 120 frames per second, achievable with the XDCA-FX9 Unit
- Capabilities for high-definition recording at up to 150/180 frames per second
- Compatibility with Sony’s versatile E-Mount
- Advanced 10-bit 4:2:2 XAVC-I compression, offering bitrates of up to 600 megabits per second
- Features like Auto-HD, Auto-Focus (AF), a 7-stop ND Filter, and 3D Look-Up Tables (LUTs)
- Dual Base ISO support, reaching up to an 102,400, along with an HLG Mode
- Connectivity options including 12G/6G/3G-SDI and HDMI Output.
Weight | N/A |
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PXW-FX9 ,PXW-FX9K |
This product has been discontinued.
Sony PXW-FX9 / PXW-FX9K 6K Sensor Full-Frame Camera System (Body Only)
Sony PXW-FX9 is a 4K camera with a 6K sensor. The sensor is of great advantage as it creates impressive 4K videos inclusive of 15 plus stops, which are of high dynamic range. Apart from its quality sensor, the Sony PXW-FX9 has a wide range of other significant features, which include dual Base ISO 800/4000, four channels of audio, and external 16-bit RAW recording, which has an add-on-unit. This article covers different features of the PXW-FX9 and its importance within the product.
Sensor
The quality sensor is one of the main features found within the Sony PXW-FX9. The sensor is the foremost feature, which customers look for when deciding on their purchase process of any Smartphone camera. Therefore, Sony came up with an advanced 6K full-frame sensor in its new product, which offers a great advantage to the users. The advantage, in this case, is that the new product provides high sensitivity, reduced noise, and latitude of over 15 stops giving it strength to satisfy the increased demand of the users.
Fast Hybrid & Face Detection
Sony’s popular Alpha series cameras included the fast autofocus systems. The same has been included in the Sony PXE-FX9. The Fast Hybrid AF has 561 focus points that covers 96% in the vertical and 94% in the horizontal in the full frame mode. Face detection has been added for filmmaker that has the ability to choose as well as track your subject by setting it with the touchscreen LCD.
Variable Electronic ND Filter
A hard dial on the side of the Sony FX9 controls the variable electronic neutral density filter. According to Sony, it is “World’s first”. You will also find many other hard dials on the new camera which serve multiple functions such as iris control, shutter, white balance, dual channel audio adjustment, and customizable ND filter presents.
Dual ISO & Auto Focus
Dual ISO is the other feature entailed in the new Sony PXW-FX9 to give it an advanced functionality as compared to other products. In this case, a product like Varicam 35 offers a base of 500-2500 a situation, which has seen the Sony deliver an excellent product with an ISO base ranging from 800-4000 as a way of satisfying the users who prefer an increased experience of high ISO base.
Moreover, auto-focus is the other advanced feature of Sony PXW-FX9, which gives it a fantastic functionality. The auto-focus is in a position to track any fast-moving object while maintaining a shallow depth of the field of focus. The PXW-FX9 has an enhanced fast hybrid AF model.
On the other hand, the model can combine AF detection to increase tracking speed and deliver accurate subjects on track. Again, the Sony PXE-FX9 is in a position to promise consistency in the sensitivity and tracking process due to the AF sensors, which covers 94% in width and 96% height regarding the area of imagination.
The other feature, which falls under the auto-focus, is the number of the level AF transition speeds. The AF transition is seven in total, which slows where speed has been reduced to encourage the shooting style like the case of historical TV drama.
Build
The Sony PXE-FX9 shares a similar sturdy and modish body as the FS7. There is a slew of quick menu options on the side of the FX9 and an E mount lens mount. Available from April 2020, it is the first of a new Cinema Lens range that Sony plans to grow over time. It is compatible with the other E-mount cameras, from VENICE to Alpha interchangeable lens cameras, and gives access to intelligent shooting functions of the E-mount system that support Large Format Sensor shooting.
Sony has made a new addition by inculcating 4 separate channels of audio. There is a gunlock time code in/ out on the body, a grip which is more compact, and an electronic viewfinder design that can be changed to have a sunshade.
Future Plans for FX9
The future plans laid out by Sony include Sony 6k Camcorder, full HD 180fps in 6K full frame mode, 4K60p recording in full frame mode, and 16bit RAW output.
An external optional XDCA mount module has been showcased by Sony. The following connections are offered by it:
- V mount battery support
- DTAP power
- DWX slot in for wireless audio
- Dual link streaming
- RJ45 Ethernet
Final Thought
In conclusion, as illustrated, the Sony PXW-FX9 is the latest feature, which entails a full-frame R 6K sensor. The sensor is of great advantage as it creates incredible 4K videos inclusive of 15 plus stops, which are of high dynamic range. The quality sensor is one of the main features found within the Sony PXW-FX9. The sensor is the main feature, which customers look for when deciding on their purchase process of any camera.
Further, Dual ISO is the other feature entailed in the new Sony PXW-FX9 to give it an advanced functionality as compared to other products. Auto-focus has been described as the other advanced feature of Sony PXW-FX9, which gives it an amazing functionality.
Sony FS7 Related Products:
Sony PXW-FS7 4K Super 35mm XDCAM Camcorder (E-mount)
Sony PXW-FS7K 4K Super 35mm Exmor CMOS sensor Camera
Other Site:
Sony PXW-FX9 6K Sensor Full-Frame Camera System (Body Only)
Read Our Blog:
Sony PXW-FX6 Cinema Line Camcorder
Add-R-Ind-28.11.23
Lens
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Lens Mount
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E-mount
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Camera Section
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Imaging Device (Type)
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35 mm full-frame, single-chip CMOS image sensor
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Imaging Device (Pixel Count)
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20.5 M pixels (Total)
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Built-in Optical Filters
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Clear, linear variable ND (1/4ND to 1/128ND)
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ISO Sensitivity
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ISO 800/4000 (Cine EI mode, D55 Light source)
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S/N Ratio
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57 dB (Y) (typical)
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Shutter Speed
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64F to 1/8000 sec
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Slow and Quick Motion Function
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FF 6K mode: S35 4K mode: FF 2K, S35 2K mode: |
White Balance
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Preset, Memory A, Memory B (2000K-15000K)/ATW
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Gain
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-3 to 18dB (every 1dB), AGC
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Gamma Curve
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S-Cinetone, STD1, STD2, STD3, STD4, STD5, STD6, HG1, HG2, HG3, HG4, HG7, HG8, S-Log3
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Latitude
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15+ stop
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Input/Output
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Audio Input
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XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
Mic Reference: -30 to -80 dBu” |
SDI Output
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SDI OUT1: BNC, 12G-SDI, 3G-SDI (Level A/B), HD-SDI
SDI OUT2: BNC, 3G-SDI (Level A/B), HD-SDI |
USB
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USB device, micro-B (x1)
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Headphone Output
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Stereo mini jack (x1) -16 dBu 16 ?
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Speaker Output
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Monaural
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DC Input
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DC jack
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Remote
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Stereo mini-minijack (?2.5 mm)
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HDMI Output
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Type A (x1)
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Monitoring
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LCD
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8.8 cm (3.5 type) Approx. 2.76 M dots
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Built-in Microphone
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Built-in Microphone
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Omni-directional monoral electret condenser microphone
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Media
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Type
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XQD Card slot (x2)
SD/MS Card slot (x1) for saving configuration data SD card slot also can be used for proxy video recording |
Wi-Fi/NFC
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Supported Format
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IEEE 802.11 a/b/g/n/ac
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Frequency Band
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2.4 GHz bandwidth 5.2/5.3/5.6/5.8 GHz bandwidth* * Depending on country/regional regulation |
Security
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WEP/WPA-PSK/WPA2-PSK
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NFC
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NFC Forum Type 3 Tag compliant
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General
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Mass
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Approx 2.0 kg (body only)
Approx. 4.8 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U35 battery, SELP28135G LENS, an XQD memory card, Handle, MIC holder) |
Dimensions (W x H x D)
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146 x 142.5 x 229 mm (body without protrusions)
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Power Requirements
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DC 19.5V
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Power Consumption
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Approx. 35.2 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
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Operating Temperature
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0?C to 40?C
32?F to 104?F |
Storage Temperature
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-20?C to +60?C
-4?F to +140?F |
Battery Operating Time
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Approx. 54min. with BP-U35 battery Approx. 108min. with BP-U70 battery |
Recording Format (Video)
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[XAVC Intra]XAVC-I QFHD 59.94p mode?VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 50p mode?VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 29.97p mode?VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 25p mode?VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 23.98p mode?VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 59.94p mode?CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 50p mode?CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 59.94i/29.97p mode?CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 50i/25p mode?CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264 XAVC-I HD 23.98p mode?CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264 |
Recording Format (Video)
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[XAVC Long]XAVC-L QFHD 29.97p/25p/23.98p mode?VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
XAVC-L QFHD 59.94p/50p mode?VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode?VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode?VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC XAVC-L HD 59.94i/50i mode?VBR, MAX bit rate 25 Mbps, MPEG-4 H.264/AVC |
Recording Format (Video)?[MPEG-2 Long GOP]
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MPEG2 HD422 mode?CBR, MAX bit rate 50 Mbps, MPEG-2 422P@HL
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Recording Format (Audio)
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LPCM 24 bits, 48 kHz, 4 channels
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Recording Frame Rate
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[XAVC Intra]
XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P XAVC-I HD mode: 1920 x 1080/59.94P, 59.94i, 50P, 50i, 29.97P, 23.98P, 25P [XAVC Long] XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P XAVC-L HD 50 mode: 1920 x 1080, 1280 x 720/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P XAVC-L HD 25 mode:1920 x 1080/59.94i, 50 [MPEG-2 Long GOP] MPEG HD422 mode: 1920 x 1080/59.94i, 50i, 29.97P, 23.98P, 25Pi |
Recording/Playback Time
[XAVC Intra] |
XAVC-I QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes When using QD-G64A (64 GB): Approx. 10 minutes XAVC-I QFHD 50p When using QD-G128A (128 GB): Approx. 26 minutes When using QD-G64A (64 GB): Approx. 13 minutes XAVC-I QFHD 29.97p When using QD-G128A (128 GB): Approx. 43 minutes When using QD-G64A (64 GB): Approx. 21 Minutes XAVC-I QFHD 25p When using QD-G128A (128 GB): Approx. 52 minutes When using QD-G64A (64 GB): Approx. 25 Minutes XAVC-I QFHD 23.98p When using QD-G128A (128 GB): Approx. 54 minutes When using QD-G64A (64 GB): Approx. 26 Minutes XAVC-I HD 59.94p When using QD-G128A (128 GB): Approx. 57 minutes When using QD-G64A (64 GB): Approx. 28 Minutes XAVC-I HD 50p When using QD-G128A (128 GB): Approx. 57 minutes When using QD-G64A (64 GB): Approx. 27 Minutes XAVC-I HD 59.94i/29.97p When using QD-G128A (128 GB): Approx. 105 minutes When using QD-G64A (64 GB): Approx. 53 Minutes XAVC-I HD 50i/25p When using QD-G128A (128 GB): Approx. 105 minutes When using QD-G64A (64 GB): Approx. 53 Minutes XAVC-I HD 23.98p When using QD-G128A (128 GB): Approx. 130 minutes When using QD-G64A (64 GB): Approx. 65 Minutes |
Recording/Playback Time
[XAVC Long] |
XAVC-L QFHD 29.97p/25p/23.98p
When using QD-G128A (128 GB): Approx. 125 minutes When using QD-G64A (64 GB): Approx. 62 Minutes XAVC-L QFHD 59.94p/50p When using QD-G128A (128 GB): Approx. 86 minutes When using QD-G64A (64 GB): Approx. 42 Minutes XAVC-L HD 50 59.94i/29.97p/50i/25p/23.98p/59.94p/50p When using QD-G128A (128 GB): Approx. 225 minutes When using QD-G64A (64 GB): Approx. 110 Minutes XAVC-L HD 35 59.94i/29.97p/50i/25p/23.98p/59.94p/50p When using QD-G128A (128 GB): Approx. 305 minutes When using QD-G64A (64 GB): Approx. 150 Minutes XAVC-L HD 25 59.94i/50i When using QD-G128A (128 GB): Approx. 410 minutes When using QD-G64A (64 GB) Approx. 200 Minutes |
Recording/Playback Time
[MPEG-2 Long GOP] |
MPEG HD422 59.94i, 50i, 29.97P, 23.98P, 25P
When using QD-G128A (128 GB): Approx. 220 minutes When using QD-G64A (64 GB): Approx. 105 Minutes |
Recording Format (Proxy Audio)
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XAVC Proxy: AAC-LC, 128 kbps, 2 channels
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Recording Format (Proxy Video)
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XAVC Proxy: AVC/H.264 Main Profile 4:2:0 Long GOP, VBR
1920 x 1080, 9Mbps 1280 x 720, 9Mbps 1280 x 720, 6Mbps 640 x 360, 3Mbps |
- Body Cap (1)
- Viewfinder (1)
- Eyepiece (1)
- Grip Remote Control (1)
- IS1293 power cord (2) **
- AC Adapter
- BC-U1A battery charger (1)
- BP-U35 battery pack (1)
- Power cord (2)
- USB cable (1)
- Operating Guide (2)
- CD-ROM “Manuales for Solid-State Memory Camcorder” (1)
** For India only. Not supplied in other countries
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2 reviews for Sony PXW-FX9 / PXW-FX9K 6K Sensor Full-Frame Camera System
Clear filtersOnly logged in customers who have purchased this product may leave a review.
Product Specialist –
The Sony PXW-FX9K 6K Sensor Full-Frame Camera System is a professional-grade camera used in various videography and filmmaking applications due to its advanced features and capabilities. Here are some of the best applications for the Sony PXW-FX9K:
Filmmaking: It’s widely used in filmmaking due to its high-resolution 6K sensor, allowing filmmakers to capture high-quality cinematic footage suitable for the big screen.
Documentary Production: The camera’s versatility and ability to capture high-quality footage in various lighting conditions make it ideal for documentary filmmaking where adaptability is crucial.
Television Production: Its ability to shoot in 4K or 6K, along with features like high dynamic range (HDR), makes it suitable for television production, including commercials, series, and other broadcast content.
Wedding and Event Videography: Professionals in this field often appreciate the camera’s ability to capture stunning details and moments due to its high resolution and exceptional image quality.
Corporate Videos and Commercials: The camera’s capabilities make it suitable for shooting corporate videos, commercials, and promotional content requiring high-quality visuals.
Music Videos: The camera’s cinematic capabilities, such as its ability to shoot in different frame rates and resolutions, are often appreciated in music video production, allowing for creative and visually appealing shots.
Independent Filmmaking: Independent filmmakers often find the FX9K a suitable choice due to its balance of professional features, relatively compact size, and excellent image quality.
High-End Video Production: The camera’s compatibility with a wide range of lenses and accessories makes it a valuable tool for high-end video production across various industries.
The Sony PXW-FX9K’s versatility, high resolution, dynamic range, and overall image quality make it a popular choice among professionals in the filmmaking and videography industry for a wide range of applications
Stephen Sun –
Exploring the Sony PXW-FX9: An Exegesis
Behold the Sony PXW-FX9, a 4K marvel harboring a prodigious 6K sensor within its sinews. This sensor stands as a formidable asset, birthing resplendent 4K cinematography, adorned with a surfeit of 15-plus stops, each a lustrous gem within the mosaic of high dynamic range. Beyond the sensor’s eminence, the Sony PXW-FX9 bestows upon us a cornucopia of other salient attributes: a dual Base ISO of 800/4000, a quartet of audio conduits, and external 16-bit RAW recording, a discreet augmentation to its arsenal. Our sojourn through this discourse shall navigate these myriad facets of the PXW-FX9 and their import in the grand tapestry of this product.
The Epiphany of the Sensor
Let us commence our expedition with the pièce de résistance, the sensor. The sensor, that lodestar that beckons the discerning connoisseur of smartphone cameras, is the lynchpin of this narrative. Sony, with sagacity, has bequeathed unto us a pioneering 6K full-frame sensor, a veritable boon to the cognoscenti. This boon is manifest in the sensor’s superlative sensitivity, attenuation of noise, and a fathomless latitude exceeding 15 stops, endowing it with the fortitude to satiate the exigencies of discerning users.
The Sonata of Fast Hybrid and Face Detection
Sony’s illustrious Alpha series cameras have regaled us with their nimble autofocus systems, a tradition perpetuated in the Sony PXE-FX9. The Fast Hybrid AF unfurls its mantle, adorned with 561 focal waypoints, enshrouding 96% of the vertical and 94% of the horizontal spectrum in full-frame mode. A capricious muse for filmmakers, Face Detection graces the stage, permitting the selection and pursuit of subjects via the tactile caress of the touchscreen LCD.
The Rhapsody of Variable Electronic ND Filter
A deft dial, ensconced on the flank of the Sony FX9, wields dominion over the variable electronic neutral density filter—a world’s first innovation, proclaims Sony. An assemblage of hard dials adorns the new camera, each a versatile virtuoso: orchestrating iris control, regulating the shutter’s tempo, fine-tuning the alchemy of white balance, tweaking dual-channel audio, and the conferral of a malleable ND filter for the discerning user’s arsenal.
The Dichotomy of Dual ISO and Auto Focus
Dual ISO, a torchbearer of innovation within the new Sony PXW-FX9, elevates its functionality above the mundane. In contrast to the conventional, where products like Varicam 35 languish with a base ranging from 500 to 2500, Sony unfurls its banner with an ISO base spanning from 800 to 4000. A paean to the discerning users, this expansion of the high ISO base augments their experiential voyage.
The overture of the narrative unfurls further with the advent of auto-focus, a sublime pillar of Sony PXW-FX9’s repertoire. It dances nimbly upon the tightrope of tracking swift-moving subjects while preserving a shallowed depth of field. The PXW-FX9 wields an enhanced fast hybrid AF model, a maestro that orchestrates a symphony of AF detection, elevating the cadence of tracking while adhering to the strictures of precision. The AF sensors, spanning 94% in width and 96% in height across the realm of imagination, ensure the constancy of sensitivity and tracking.
Within the opus of auto-focus, we unearth the rhapsody of diverse AF transition speeds, numbering seven in their poetic resonance. Some notes meander at a languid pace, invoking the nostalgia of historical TV drama.
The Sonata of the Structure
The Sony PXE-FX9 boasts a robust and chic chassis reminiscent of the FS7. A profusion of expedient menu options adorns the FX9’s lateral profile, accompanied by the E-mount lens mount. This offering, available since April 2020, marks the inception of a nascent Cinema Lens range, an embryonic oeuvre that Sony nurtures for the future. It extends its embrace to other E-mount compatriots, from VENICE to Alpha interchangeable lens cameras, unveiling the portal to the sagacious world of intelligent shooting functions that buttress Large Format Sensor photography.
Sony’s adroit touch finds expression in the addition of four discrete audio channels, a clairvoyant time code locking mechanism, a more compact grip, and an electronic viewfinder design that flits nimbly between configurations, donning a sunshade when need be.
The Prologue to Future Prospects
The tapestry of Sony’s future unfolds with grandiose ambitions. It entails a Sony 6K Camcorder, the melodic cadence of full HD at 180fps in the 6K full-frame mode, the symphonic harmony of 4K60p recording in full frame, and a 16-bit RAW output, a sonnet yet to be sung.
Sony, in a display of its visionary prowess, unveils an optional XDCA mount module, offering a panoply of connections:
V-mount battery support
DTAP power supply
DWX slot for wireless audio
Dual link streaming
RJ45 Ethernet connectivity
The Coda
In summation, as our odyssey through the Sony PXW-FX9 reaches its denouement, we encounter a full-frame R 6K sensor that stands as a beacon of preeminence. This sensor, with its alchemical attributes, bequeaths unto us bewitching 4K tapestries, adorned with a pantheon of 15-plus stops within the realm of high dynamic range. The quality sensor, that lodestar of the photographic world, beckons seekers in the enigmatic voyage of camera acquisition.
Furthermore, the Sony PXW-FX9 unveils the symphony of Dual ISO, an overture that elevates its functionality beyond the mundane. Auto-focus, that magnum opus of technological innovation, adds its mellifluous cadence to the narrative, enthralling the audience with its wondrous capabilities.