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Panasonic AW-UE80 4K 50p PTZ camera with 1/2.5-type 4k MOS sensor
USD 5,588.00 excl. Tax
- Supports a wide variety of IP transmission protocols, including high bandwidth NDI, NDI|HX, and SRT2
- Supports 4K 50p/60p shooting
- Includes a wide-angle lens with a 74.1° field of view and 24x optical zoom
- Supports FreeD for building AR/VR systems
- New Direct Drive System for improved responsiveness and quietness
Weight | N/A |
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Choose from Variants |
Black ,White |
Panasonic AW-UE80 4K Professional Integrated Camera(Black/White)
In response to a broad application of Video Capturing and production requirements for eg, recording of reality shows and live events, the AW-UE80, a professional PTZ 4K integrated camera, is the most suitable choice due to its well-thought-in design.
With its compact and quiet design, the camera blends seamlessly into the background, minimizing the feeling of being recorded on video.
The dome-shaped design of the camera, combined with its new direct-drive motor, produces a very low operating sound, making it ideal for use in various settings without disrupting production activities or spoiling the ambiance.
The camera offers high-image quality 4K/60p resolution, a wide 74.1° angle, and optical zoom with up to 24x magnification to achieve superb video image quality. To complement the quality, the camera features an original image stabilizer that produces a clear and stable video recording, making it ideal for capturing the natural facial expressions of actors and performers. The camera also features a Tally LED limit, allowing you to keep track of which camera is currently in use during large-scale video shoots.
Likewise, the AW-UE80 ‘s flexible options in mounting for shooting in some challenging situations make it an ideal choice in locations that are difficult to access, as the camera can be either suspended from the ceiling or mounted on a tripod to capture a video.
Thanks to its 4K resolution, wide angle, and high-magnification zoom., the camera is capable of adapting to a wide range of video shooting scenarios, including large-scale shoots,
One of the key advantages of the AW-UE80W/K is its ability to be controlled by a single controller, which can manage up to 200 camera units.
This makes it ideal for large-scale video production, as it eliminates the need for multiple controllers and streamlines the process. Additionally, the camera supports FreeD, which enables low-cost AR/VR shooting, making it ideal for virtual reality and augmented reality video production.
The AW-UE80 delivers high-quality videos that are resistant to interruption and have low latency, ensuring smooth playback of high-quality videos. The camera also uses a secure and stable streaming protocol, reducing the risk of communication trouble during video production. Additionally, the camera is compatible with the IT/IP platform “KAIROS”, making it easy to integrate with other technologies and systems.
In conclusion, the AW-UE80 is an excellent choice for any video production need, from recording a reality show to capturing an internal business or educational event. With its compact and quiet design, high-image quality, and versatile shooting options, the camera is ideal for capturing professional-quality video. The camera is available in two colors, white (AW-UE80W) and black (AW-UE80K), allowing you to choose the best color to suit your needs and style.
Models to respond to a wide range of video production needs, such as recording reality shows and events
The professional PTZ Camera Panasonic AW-UE80 4K W/K also offers excellent stability and security during video streaming so it can be used for any type of video production. From the production of a reality show to the recording of an internal business or educational event, the top-of-the-line standard model, AW-UE80W/K, can be used in a diversity of applications.
Features:
Compact & quiet design blends in smoothly with the surroundings.
- The inconspicuous, small dome-shaped design blends in with the surroundings to minimize “the feeling of being recorded on video.”
- Low operating sound for anywhere use.
- The original image stabilizer ensures clear and stable video recording.
- Tally LED Limit
- Can be suspended from the ceiling or mounted on a tripod for shooting from locations too difficult for a person to enter.
Featuring a compact design and quiet operating sound, the AW-UE80 can be used effectively in any shooting situation and place. The camera unit is so inconspicuous it helps capture more natural facial expressions and actions of the performers.
The compact dome-shape design blends in with any ambiance to minimize the performers’ “feeling of being recorded on video.”
The dome-shaped unit with the recessed lens makes the movement of the camera unnoticeable. It allows for capturing the performers’ natural expressions without causing oppressive feelings. The camera unit weighs about 2.2 kg for easy portability.
Quiet operating sound for anywhere use.
The operating sound is quiet so there is no need to worry about the camera sound spoiling the ambiance even when producing a reality show or recording an event. The new direct-drive motor operates quietly during panning (horizontal movement) and tilting (vertical movement) so it does not disturb the recording of crucial scenes.
Original image stabilizer for stable video shooting.
Even when the camera unit is mounted on an unstable place such as a crane or rail, the image stabilizer functions ensure sharp and clear images while the Optical Image Stabilization (OIS) makes fine adjustments to the lens, which together assure stable recording of high-quality images.
Can be suspended from the ceiling or mounted on a tripod for shooting from locations too difficult for a person to enter
The Panasonic AW-UE80 4K Camera can be flexibly mounted at a place where it is too difficult for a person to enter, so it can be utilized in a diversity of recording situations.
Flexibly adapt to various video shooting situations such as large-scale shooting.
- 4K resolution, wide angle, and high-magnification zoom maintain “the lively ambiance in the hall” intact in streaming videos.
- A single controller can control up to 200 camera units.
- Supports FreeD to enable low-cost AR/VR shooting.
Flexibly adapt to various video shooting situations such as large-scale shooting.
The wealth of functions to meet diverse shooting needs, such as reduction of required manpower at the shooting site without causing any quality degradation.
4K resolution, wide angle, and high-magnification zoom maintain “the ambiance of the hall” intact in streaming videos
The combination of the high 4K resolution, wide angle, and high-magnification zoom enables capturing of the ambiances of events and concerts as well as the facial expressions of actors/performers so that the realism and atmosphere can be conveyed in online video streaming videos. The zoom function allows the enlargement of a desired area precisely so the streaming video becomes more attractive to watch. By utilizing the wide 74.1° angle and up to 24x optical zoom, missing important scenes at an event can be prevented with a minimal number of camera units. This makes the AW-UE80 suitable for use in a broad range of applications regardless of the size of the hall.
A single controller can control up to 200 camera units.
A single control unit can be used to control multiple camera units. When equipment compatible with PoE++2 is used to connect to the network, a single LAN cable can transmit the video, audio, and control signals as well as the power supply. The reduced number of cables used means decreased cable connection trouble, such as cable disconnection that causes interruption of recording. It also eliminates the need for the wiring of power supply cables. Furthermore, in outdoor recording using a temporary platform, the time and effort for setting up and removing the platform can be reduced.
Perfect for starting AR/VR video shooting at a low cost.
The AW-UE80 4K can output commands in compliance with FreeD1 so it can be connected to an AR/VR system. The use of the AR/VR2 feature enables the creation of a new type of video totally different from before.
High-quality videos are resistant to interruption and with low latency.
- Smooth playback of high-quality videos.
- Secure and stable streaming protocol for reduced risk of communication trouble.
High-image-quality videos are resistant to interruption and with low latency.
The AW-UE80 realizes streaming of high-image-quality videos with low latency even when the communication is unstable. Furthermore, it ensures excellent stability and security during streaming, so it can be used safely for any application.
Smooth playback of high-image-quality videos.
Panasonic AW-UE80 comes standard with High Bandwidth NDI1,2 and NDI|HX version 23,4 for IP transmission of high-image-quality videos. High Bandwidth NDI enables IP transmission of high-image-quality videos with low latency, while NDI|HX version 2 achieves efficient video transmission with limited bandwidth. Since the video source is accessible from any device on the same network, even unknown IP addresses are automatically recognized. This allows for a flexible video production flow at the shooting site.
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Specifications
Comprehensive | |||
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Power Requirements | 12 V DC (10.8 V to 13.2 V) (Supplied AC adapter) | ||
PoE++ | IEEE802.3bt compliant: DC42 to 57 V (Software authentication (LLDP) is supported) |
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Current Consumption | 3.0 A (Supplied AC adaptor), 1.0 A (PoE++ power supply) | ||
Ambient Operating Temperature | 0 °C to 40 °C (32 °F to 104 °F) | ||
Allowable Humidity Ranges | 20 % to 90 % (no condensation) | ||
Storage Temperature | -20 °C to 50 °C (-4 °F to 122 °F) | ||
Mass | Approx. 2.0 kg (4.41 lbs) (excluding ceiling mounting bracket), Approx. 2.25 kg (4.96 lbs) (including ceiling mounting bracket) |
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Dimensions (W x H x D) | 170.0 mm x 211.0 mm x 171.0 mm (6.693 inches x 8.307 inches x 6.732inches) |
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Finish | AW-UE80W: White AW-UE80K: Black |
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Compatible controllers | AW-RP150GJ, AW-RP60GJ, AW-RM50AG, AK-HRP10001, 2, AK-HRP10051, 2, AK-HRP10152, AK-HRP2502 | ||
Camera part | |||
Image Sensors | 1/2.5-type 4K MOS x 1 | ||
Effective pixels | Approx. 8,490,000 pixel | ||
Lens | Motorized Optical 24x zoom, F1.8 to F4.0 [f=4.12 mm (5/32 inches) to 98.9 mm (3‑29/32 inches); 35 mm (1‑3/8 inches) equivalent: 25.0 mm (31/32 inches) to 600.0 mm (23‑5/8 inches)] |
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Zoom | • Optical zoom: 24x • i.Zoom UHD 28x, FHD 36x • Digital extender zoom: 1.4x, 2x |
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Conversion Lens | Not supported | ||
Angle of View Range | Horizontal angle of view: 74.1° (wide) to 3.3° (tele) Vertical angle of view: 46.0° (wide) to 1.9° (tele) Diagonal angle of view: 81.8° (wide) to 3.8° (tele) |
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Optical Filter | Through, 1/4, 1/16, 1/64, IR through (IR through is used as “night mode”) |
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Focus | Switching between auto and manual | ||
Focus Distance | Entire zooming range: 1200 mm (3.9 ft) Wide end: 100 mm (0.33 ft) |
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Color Separation Optical System | 1MOS | ||
Minimum Illumination | 3 lx (F1.8, 59.94p, 50IRE, 42 dB, without accumulation) | ||
Horizontal Resolution | 1,500 TV Typ (Center area, UHD mode, wide) 1,000 TV Typ (Center area, FHD mode, wide) |
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Gain Selection | Auto, 0 dB to 36 dB3 (Super Gain function equipped : 37 dB to 42 dB) | ||
Frame Mix | Auto, 0 dB, 6 dB, 12 dB, 18 dB, 24 dB4 | ||
Electronic Shutter Speed | 59.94p/59.94i | 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000 | |
29.97p | 1/30, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000 | ||
23.98p/24p | 1/24, 1/48, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000 | ||
50p/50i | 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000 | ||
25p | 1/25, 1/50, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000 | ||
Synchro Scan | 59.94p/59.94i | 60.0 Hz to 7200 Hz | |
29.97p | 30.0 Hz to 7200 Hz | ||
23.98p/24p | 24.0 Hz to 7200 Hz | ||
50p/50i | 50.0 Hz to 7200 Hz | ||
25p | 25.0 Hz to 7200 Hz | ||
Gamma | HD / Normal / Cinema1 / Cinema2 / Still Like | ||
White Balance | • ATW: 3200 K, 5600 K (ATW Speed 3-stage variables.) • AWB: AWB-A / AWB-B • VAR (selectable between 2000 K and 15000 K by designating a value) |
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Chroma Amount Variability | OFF, -99 % to 99 % | ||
Output Format | SDI | HD | 1080/59.94p, 50p, 1080/59.94i, 50i, 1080/29.97p (Native), 25p (Native), 23.98p (over59.94i), 1080/29.97psF, 25psF, 23.98psF, 1080/24p (Just), 23.98p (Native), 720/59.94p, 50p |
HDMI | 4K (Native) |
2160/59.94p, 2160/50p, 2160/29.97p, 2160/25p, 2160/24p, 2160/23.98p | |
HD | 1080/59.94p, 50p, 1080/59.94i, 50i, 1080/29.97p (Native), 25p (Native), 23.98p (over59.94p), 1080/24p (Just), 23.98p (Native), 720/59.94p, 50p |
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Synchronization System | |||
Internal/External synchronization (BBS/Tri-level sync) | |||
Input | |||
Input Connector | DC 12 V IN, G/L IN(BNC) BBS (Black Burst Sync), tri-level sync supported) |
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Output | |||
Video Output | HDMI | HDMI 2.0 connector 4:2:2/10bit • HDCP is not supported. • Viera Link is not supported. |
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3G-SDI OUT | SMPTE292M/424M/ 75 Ω(BNC×1) • Level-A/Level-B supported |
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Input/output | |||
Input/Output Connector | LAN | LAN terminal for IP control (RJ-45) | |
RS-422 | CONTROL IN RS422A(RJ-45) | ||
MIC/LINE input | AAC compatibility (compatible with IP only) Φ3.5 mm stereo mini jack • During MIC input Input level: -40 dBV (0 dB=1 V/Pa, 1 kHz) Supply voltage: 2.5 V±0.5 V (plug-in power compatible) “• Input impedance: Approx. 2 kΩ (when plug-in power is turned ON) Approx. 20 kΩ (when plug-in power is turned OFF)” • During LINE input Input level: -10 dBV Input impedance: Approx. 3 kΩ • Input volume variable range: -36 dB to 12 dB (3 dB step) • Embedded audio output level: -12 dBFS • Sampling frequency: 48 kHz • Quantization bit rate: 24 bit (SDI, HDMI), 16 bit (IP) |
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Pan-tilt Head Unit | |||
Camera/Pan-tilt Head Control | IP connecting cable | • If you have a PoE++ ethernet hub LAN cable5, 6 (category 5e or above, straight cable) Max 100 m (328 ft) • If you don’t have a PoE++ ethernet hub LAN cable5, 6 (category 5e or above, straight cable) Max 100 m (328 ft) |
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AW protocol connecting cable | • LAN cable5 (category 5e or above, straight cable) Max 1000 m (3280 ft) | ||
Installation Method | Stand-alone (Desktop) or suspended (Hanging)7 | ||
Pan/tilt Operation Speed | Speed range: 0.08°/s to 60°/s (Normal mode)8 | ||
• 3 speed modes installed Normal:60°/s, Fast1:90°/s, Fast2:180°/s |
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Panning Range | ±175° | ||
Tilting range | -30°to 90°9 | ||
Quietness | NC25 or less | ||
Supported Operating Systems and Web Browsers | Windows10 | Windows 10 Windows Internet Explorer 11(32 bit / 64 bit) Microsoft Edge Google Chrome |
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Mac10 | Mac OS v11.0.1 / Safari 14.01 Mac OS v11.0.1 / Google Chrome Mac OS v10.15 / Google Chrome Mac OS v10.14 / Google Chrome |
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iPhone / iPad10 | iOS Safari iPadOS |
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Android*10 | Android OS Google Chrome |
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IP Streaming | |||
Image Streaming Mode | JPEG(MJPEG), H.264, H.265, NDI|HX version 2*11, 12, 13 (H.264), High Bandwidth NDI | ||
Image Resolution | 1920×1080, 1280×720, 640×360, 320×180 | ||
Image Transmission Setting | JPEG | Frame rate: Maximum 30fps Image quality (Fine / Normal) |
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H.264 | Transmission Type | Unicast port (AUTO) Unicast port (MANUAL) Multicast port |
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Transmission Priority | Constant bit rate Frame rate Best effort |
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Frame Rate | [60 Hz] 5fps / 15fps / 30fps / 60fps [50 Hz] 5fps / 12.5fps / 25fps / 50fps |
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Max Bit Rate | 512kbps / 768kbps / 1024kbps / 1536kbps / 2048kbps / 3072kbps / 4096kbps / 6144kbps / 8192kbps / 10240kbps / 12288kbps / 14336kbps / 16384kbps / 20480kbps / 24576kbp | ||
H.265 | Transmission Type | Unicast port (AUTO) Unicast port (MANUAL) Multicast port |
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Frame Rate | [60 Hz] 30fps / 60fps [50 Hz] 25fps / 50fps |
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Max Bit Rate | 1024kbps / 1536kbps / 2048kbps / 3072kbps / 4096kbps / 6144kbps / 8192kbps / 10240kbps / 12288kbps / 14336kbps / 16384kbps / 20480kbps / 24576kbps | ||
Audio Compression Type | AAC-LC, 48 kHz, 16 bit, 2 ch | ||
Supported Protocols | Network Protocol | ICMP, ARP, GARP, MLD | |
Transmission Protocol | TCP/IP, UDP/IP | ||
IPv4 | HTTP, HTTPS, DNS, NTP, DHCPv6, MDNS, SNMP, 802.1X | ||
IPv6 | HTTP, HTTPS, DNS, NTP, DHCPv4, MDNS, SNMP, 802.1X | ||
Video Streaming Protocol | RTP/RTCP over RTSP, RTMP, RTMPS, SRT, MPEG2-TS over UDP, NDI |HX version 2, High bandwidth NDI |
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External Device Cooperation Protocol | FreeD, TSL5.0, SNMP | ||
NDI Support | |||
NDI Support | NDI|HX version 2: Included as standard High Bandwidth NDI: Included as standard |
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Output format | High Bandwidth NDI | 【HD】1080/59.94p, 1080/50p, 1080/29.97p, 1080/25p, 1080/24p, 1080/23.98p, 720/59.94p, 720/50p | |
Image Resolution (NDI|HX version 2) |
1920×1080, 1280×720 | ||
Image Transmission Setting | High Bandwidth NDI | Transmission Type | TCP/UDP, Unicast/Multicast |
Max Bit Rate | 250 Mbps | ||
NDI®|HX version 2 | Transmission Type | TCP/UDP, Unicast/Multicast | |
Flame rate | [60 Hz] 5fps/15fps/30fps/60fps [50 Hz] 5fps/12.5fps/25fps/50fps |
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Max bit rate | 512kbps / 768kbps / 1024kbps / 1536kbps / 2048kbps / 3072kbps / 4096kbps / 6144kbps / 8192kbps / 10240kbps / 12288kbps / 14336kbps / 16384kbps / 20480kbps / 24576kbps | ||
Audio Compression Type | High Bandwidth NDI | AAC, 48 kHz, 2 ch | |
NDI|HX version 2 | AAC-LC, 48 kHz, 16 bit, 2 ch | ||
New functions | |||
NDI Support | NDI NDI|HX Ver.2: Included as standard High Bandwidth NDI: Included as standard |
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F-number display | Displayed on the AW-RP150GJ and AW-RP60GJ sides | ||
Menu display on IP video | Supported15 | ||
VR Support (IP/RS422) | Compatible with FreeD | ||
Power LED | ON/OFF control | ||
Tripod screw penetration measures | Possible | ||
Pan/tilt mechanical method | New Direct Drive System | ||
Image Stabilization | OIS 2-axis MENU switching: Select between Off/O.I.S.(STABLE)/O.I.S.(PAN/TILT) |
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Privacy Mode | The lens surface faces backward when standing by (ON/OFF) Default is OFF | ||
Other functions | |||
Tally LED Display Color | red / green |
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